IN Kaos Netflix’s Zeus (Jeff Goldblum) is going through a midlife crisis. Of course, for an all-powerful god, this is a problem on every level, affecting the past and future of humanity. It takes the show’s story to some of the strangest places, and in particular, it analyzes mythology in a completely different way. It also happens in just eight short episodes, which allows Netflix’s new production to bring great classic characters to life for a new generation. Much more, Take the best of myths to inventively explore good and evil.
In fact, one of the show’s greatest strengths is its combination of an aesthetic that leans toward the vulgar and over-the-top with a story that’s woven with a sophisticated sense of humor. The story of how the god of lightning discovers that perhaps his power isn’t so eternal or so total touches on several different areas. But in particular, it allows the show to play with ideas like dramatic and obsessive love, the need for purpose, and revenge. All in an aesthetic that at times it reminds me of a trip through the eighties classics Dynasty And Falcon Crest.
If none of the above has convinced you, we leave you with three reasons to watch it – and, if possible, in one go – Kaos from Netflix. From its clever ideas for telling stories that most of its audience knows by heart, to its ability to delve into complex topics without losing its humor, the series has become increasingly weird and elegant, leaving an open promise to modernize many other stories for a new generation. The best this strange production has to offer.
His great tribute to mythology
Kaos It’s based on the perfect premise for experimenting with your script. In modern-day Crete, where all the myths are real, Zeus is going through a tough time. This is after he discovers that there’s a prophecy indicating that his reign on Olympus may be about to end. So he devotes all his divine attention to trying to understand what’s happening and, if possible, avoid it. Of course, while all this is happening, Hera (Janet McTeer) is furious at her celestial husband’s philandering. This has led to her creating a garden of vengeance, filled with the god’s former lovers. turned into bees.
This is the center of a story that uses classical myths to convey them as accurately as possible in modern language. Zeus’ irresponsible, eccentric and often vulgar behavior, indebted to the White Lotus, is transformed into festive gardens filled with pink plastic flamingos. On the other hand, on Earth, Crete suffers from all the problems of a modern city. To this must be added conflicts with Trojan refugees and clashes among the ruling family of Minos (Stanley Townsend).
The production manages to be subversive enough to make you laugh, without forgetting the fantastic ingredient that gives it a rare personality. What makes Kaos an ideal option for lovers of mythology, which is reproduced with Amazing accuracy – for those who just want to enjoy a good series.
A new option for fantasy lovers.
Kaos She is impartial, mature and a bandit most of the time. Which makes it an interesting prospect for fantasy lovers. A far cry from other modern and much more harmless options such as The Lord of the Rings: Rings of Poweris intended for a more mature audience. In particular, when studying the variants of mythology dfrom dozens of points of view more sinister than one might suppose.
From the demonstration of power – divine or human – as a form of segregation, discrimination and violence to the nuances of obsessive love. Kaos is a dark exploration of Greek mythology and its scope. Particularly as it is a fundamental part of Western thought and much of the way stories are told today. The play does not forget that its characters are part of cultures and currents of thought, so it retains its essence, but it transforms them, showing their most human and unhealthy shades.
The result is a series that sparkles with moments of dark humor, but also offers a sinister take on divinity. What would happen if the gods existed, as Greek tradition tells them? From betrayal to revenge through collective murder, to the fear of becoming a bridge between the world of the living and the dead. Nothing was missing in Kaos and from the worst point of view.
This is an independent story, which, however, can continue.
Eight short episodes. Kaos It’s the perfect marathon. But beyond that, it’s a story that knows how to use its screen time to be gripping, twisting, and touching. And it uncovers dozens of new characters and analyzes various modern situations through mythology.
Whether it’s the imperfect and sluggish bureaucracy of the Underworld, the riots and feuds of the Trojan refugees, or a failed love story. Kaos It uses its first season to tell a story that doesn’t need more or wait for a sequel to be more enjoyable. In fact, one of its great qualities is that it leaves the door open for a second season, but that doesn’t mean it’s richer. extensive or completes its main turns.
As such, its ending is a demonstration that there are still plenty of brilliant series out there that don’t need the promise of more chapters to show off the best of their plot. Something thatKaos demonstrates in all his intelligence and a well-crafted universe of flawed, ambiguous and lovable characters.
Source: Hiper Textual
