And soHe Spin off cult series of the late nineties Sex in New YorkHe ran into a dilemma since her premiere. To tell a new dimension of history, which after six seasons and two films had some original elements for study. But, in the end, the series reached this, devoting time and interest to her characters from a more intimate point of view. Thus, the production was discovered by Carrie Bradshaw (Sarah Jessica Parker), faced with maturity and early widowhood. A radical change that gave an argument a more adult turn. Also less frivolous and It is more concentrated in thinking about more complex topics than usual in your plot.
Except, And so He restored the provocative vision of women and their prospects for the world, which made the original series famous. But this caused its inconvenience: to face the sea of productions that played the same perspective. So, in the first seasons, they tried their best to find a place in the middle of a television offer, in which none of these problems is new. Production reached this, by deepening the search for identity, sexual research and even fear of death, in a simple way. Everything without losing your sense of humor, His mocking vision of life in the city and a naive version of the search for love.
Thus, his third issue, whose first chapters are already available in Max, had a double problem. On the one hand, find your individuality in the middle of the era, in which female dilemmas are discussed daily in different media. In another, be more than just an adult melodrama. At the same time, to revive the spirit that made the original series with an event of pop culture.
To the joy of fans, the series triumphs in both. To demonstrate this, we leave you three reasons to see new chapters And soA field from a more direct and neat approach to their topics to a complex type of humor, which reminds of their best moments. All to celebrate the return of one of the most beloved stories on television.
Less in ‘and just like it’
If the element made it difficult to follow the new stage of Carrie, Miranda (Cynthia Nixon) and Charlotte (Christin Davis), it was a confusing context that surrounded them. Producers Michael Patrick King and Sarah Jessica Parker included not only the traditional characters of the memorable series of the late nineties. In addition, for a completely new group, which was aimed at amendments to criticizing the lack of diversity and inclusion Sex in New YorkThe field is an awkward topic that caused all types of accusations About the inability of production to encounter a new audience.
So And so It included two new characters, in addition to all types of ideas of different communities in their actor. There is no binari from the comedian, the Mexican Iranian Chees Diaz (Sarah Ramirez) to Lisa (Nicole Ari Parker), the African American documentary. The truth is that the program was filled with new persons, stories, points of view and thin political comments. And although the majority worked, most of all this vortex As a result, the news returned a random and even chaotic central story.
Thus, one of the high moments of the third season is to simplify your script of stories and numbers. Thus, history returns to Carrie, in the inevitable dilemma about his future, Miranda, in a complete sexual study and Charlotte, faced with modern motherhood. The solution is successful, to the extent that history has become more flexible, better told and more accurate. In addition, much more fun and less solemn than in the previous two seasons. Good news for your unconditional.
Carrie’s voice “Off” returns to the new season
One of the elements that felt more in the revival Sex in New YorkThere was a voice in Turned off Carrie. As it will remember, the original series was based on a column, which the character published weekly. Thus, his voice was both comic relief, like the thread of everything that happened, often at the same time. So, despite the history of four characters, Each chapter was compact and well thought out to be interesting.
And just like Eliminated the resource. In particular, because the series was no longer based on the experience of its main characters, but on a kind of reflections on his adulthood. But, being a group of stories again – and more numerous than the original production – often the series was confused in its way to tell its dilemmas. From the scenes, which seemed to have not belonged anywhere until the rhythm was striking, accelerated and unfinished. It soon became obvious that production was necessary At least, a narrative spine for analyzing it and turns.
The third season makes a wise decision to re -use Carrie’s voice to be a Hilvanar argument. Which allows all chapters to have this funny and qualified ability to tell stories in parallel. This, without losing the strength of his main conspiracy. The necessary addition, now that the plot is much more coral than when And there are many to count on what surrounds each of his main characters.
Humor returned to ‘and just like it’
The first season of the series began with an event that would change the history of the universe further: the death of John James Preston/Mr. Big (Chris Nit). Anyone who was a great love to Carrie, and then, her husband, died and left the protagonist in a duel, which extended during the first season. Something, which made the tone of delivery, and the following, somewhat sober and painful. In addition, it more reflects the nature of love, time and death.
But the third season And so Restore the sense of humor of an unforgettable Sex in New York And leads it to a new level. Especially, including issues such as the search for sexual satisfaction, experiments, menopause and even disappointment in the formula. Everything is clear, from From a complex, extravagant and always cheerful point of view, which determines this cult history from the moment of its creation.
Source: Hiper Textual
