One battle after anotherThe new film by Paul Thomas Anderson is much more than an action movie. That is, the best in the year. It is also a perverted, mocking and brilliant approach to the abuses of power, the search for the meaning of the goal and unsuccessful ideals. Everything, with a luxurious acting and a brilliant script – which Anderson also writes – this carefully avoids all the cliches, telling his difficult story. The feat of the film that makes a new The name in the filmography of the director in classic instant modern cinema.
The truth is that the adaptation of a well -known book Winland (1990) Thomas Pincon, this is another of the lucky ones in the interesting career of Paul Thomas Anderson. From his amazing debut with Boogie Nights: Fun games In 1997, the director made it clear not only his ambition. In addition, the way that your view of the cinema and the big obsessive ideas of our time can provide more and more original and deep production. What has become more obvious thanks to the race on the screen Excellent that, although this is short, it is important enough to note a strong milestone.
For this reason, we leave you five films to better study Thomas Anderson Paul and celebrate the premiere One battle after another. From the curious story of growth, which became a touching look at the youthful love, the brutal prospect of greed. Everything to deepen the work of a person who decided to change In Hollywood forever with his small traditional film prospect.
Pizza with lacria (film)
In 1970, the world seemed idyllic, full of optimism and in the midst of updated prosperity. In this radiant script Alan (Alan Haim) and Gary (Cooper Alexander Hoffman) live a youth novel, which has a lot of self -esteem and surprise for the unknown. Everything, in the Valley of San Fernando (California) and close enough to the world of the movie as So everything that they live has an unreal and amazing touch.
Paul Thomas Anderson is surprised to build a story in a simple appearance, which is actually a thorough study of desire, happiness and hope. In addition, a thorough dissection of the radiant era, the full capabilities and edges of the first radical changes that will bring the next decade. But in Alcohol pizza All traumatic events that will leave their trace North America in the near future seems far and impossible.
The turn that gives the film its idyllic air is fragile, despite all its vitality and enthusiasm for life. Released in 2021, surprised criticism and the public for showing the director’s most peaceful side and his good hand For intimate stories. It is ideal to start with the filmography of the director.
Magnolia (Movistar+)
This 1999 coral film, which connects three deaths that occur at the same time, is the narrative and visual experiment of Paul Thomas Anderson. Especially because each of the stories of their injured often desperate characters, they are combined with amazing accuracy. On the one hand, for mixing a moving drama in the same scenario, With the only reflection on chance, fate and even religious.
In the midst of a similar argument, the fear of death passes through the life of its main characters as a gloomy map. Jimmy Gator (Philip Baker Hall) is a host of the competition, who is going to die, who is trying to resume contact with his distance her daughter, Claudia (Melora Walters). The identical situation in which his producer Earl Partridge (Jason Robards) and his wife Julianna Moore). The latter, unable to cope with the fear of the disease and agony. For this reason, he is accompanied by Phil (Philip Seymour Hoffman), a nurse, who, in turn, is looking for a distanced son From party -seal, Frank T.J. Macci (Tom Cruise), the speaker of the feminine.
With the same difficulty, this is almost a miracle that magnolia is supported. But he does it through surprise. Unpredictable, sometimes as difficult as to be uncomfortable, and in others, so subtly sensitive to cry, magnolia is an unsafe tape. In addition, the pearl of the seventh art, which describes better than any other ability of Tomas Anderson, to explore the pain and shortcomings Human nature. An important film for lovers of the director’s work.
Invisible thread (Movistar+)
In 2017, Paul Thomas Anderson was surprised to combine a sophisticated vision of luxury and privileges, with another of his complex characters and a dark dimension of love. Everything, focused on the figure of a fictional designer Reynolds Woodcock (Daniel Day-Lyuis), a ruthless, talented and obsessed person with perfection. But instead of being just studying a complex character, andThe script – which the director also writes – go unusual ways.
This, turning Woodsek into an increasingly reflecting and brutal prospect of the requirements of desire and obsession with perfection. Based on the myth of the talent and firmness of the designer Cristóbal Balenciaga, the character is complicated as necessary. But much more, because of the need for the plot, To show your long way to love among dissatisfaction.
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His punctual art to make clothes – symbols of status, luxury and desire – to the need for control. Woodcock is becoming an increasingly contradictory and perverted figure. Much more, falling in love with the woman that she rejects, but at the same time he longs to dominate and possess her with an inexorable impulse. This perverted story has one of the most amazing final turns of recent cinema. In addition, a hidden message is as thin as Woodcock’s secret embroidery in his client’s clothes. A work of the art of the main cinema for those who want to carefully recognize the floor of Thomas Anderson.
I love drunk (cinema)
Barry (Adam Sandler, in one of his extraordinary dramatic performances), is a lonely, removed and awkward boy, in love, the youngest of 7 authoritarian sisters. Something, which condemned him with excessive protection and hard life. Therefore, when he falls with Lena (Emily Watson), he will enter unknown land. Something, which will lead not only to the severity of the real world, but also Dark places that modern love and romance can hide.
Not being a romantic comedy Drunk with love It deepens a few cliches of the genre. And he also does it with a very black humor that cleans the absurd, without losing the skillful ability of the script to surprise. Step by step that begins as a love story between a naught man For passion and a woman who does not understand this, she will become an obsessive idea.
All to lead to a number of chaotic situations. Which includes a car accident between brothers, a delusional telephone line by phone and one of the sisters of Barry near madness. The combination that ends with the arms and the promise of a happy ending, which is still distorted. Early work of the director (premiere in 2002) This is sustained with the dignity and undeniable brightness of a cautious classic.
Ambition Wells (in Apple TV+to rent)
The one that is considered New York Times As one of the best films of the century, this is a thorough and cruel study of greed. To do this, this follows the success and fall of Daniel Plainve (Daniel Day-Lyuis) in the full boom of oil operation at the beginning of the 20th century. But before a fictional biographical film, this is also a reflection Evil of capitalism in the form of a wave of destructive greed.
Gradually, Daniel provokes his own empire, leaving his humanity in response in the midst of increasingly perverted decisions. Not being a moralizing fable and not wanting to ensure an ethical turn to their criticism regarding excessive and destructive ambitions, the ambition Wells surprises with its courage and distorted subtext. Something, which earned the applause of his director and especially unanimous recognition in his way of depicting modern evil. Ideal for those who want to start in the filmography of Paul Thomas Anderson.
Source: Hiper Textual
