Western world, there has always been a mirror game on HBO Max. Throughout the seasons, the argument has used the idea of ​​a deceptive form of storytelling to support its story. In the sixth chapter its fourth season delves into this fundamental idea. In addition, it rebuilds the very root of the premise until it goes to the next level.

What makes a person imperfect, incorrigible, stubborn and full of tragic hopes? Charlotte Hale asks this question out loud more than once. Particularly when he has to deal with the vulnerable stubbornness of Caleb, who has become a symbol of the most sinister places the script wants to visit.

A survivor of his own history and part of a complex, cruel machine, Caleb remembers his past, the reason he clings to life. He is no longer a man, but he is more than a slave. Less than a replica, but more than a failed test. The character shows the degree of cruelty of the world of robots. Trapped in a maze of spears in his own image, Caleb must navigate a painful path to supposed redemption.

And this, perhaps, is a majestic and mournful sequence, best of Western world since its famous first season. The eternal, endless, and brutal Turing Test that hosts were subjected to is now a weapon for suffering. A two-chambered mind, a trap of extremes with endless boundaries to pass through and avoid. Again and again, the series reflects on the emptiness of human existence at the mercy of artificial intelligence. A cruel break in the idea of ​​collective consciousness to create a fortress wall in which the world is a blind hostage.

Caleb, weapon, hostage, victim, living proof of resilience in Westworld.

Caleb, who stars in perhaps the most brutal representation of Charlotte Hale’s alienated control, is the victim. This is also an unknown. Why don’t you obey in the midst of absolute control? It’s the question Hale asks himself after William seemed to be out of the loop. This is what possesses the creator of all horrors, while the world she created slowly crumbling around him.

“They want to get away from you,” Caleb explains the incomprehensible robot suicides. A crack in the serene silence of a world without change or new questions. But Caleb persists, insists, continues, continues, dies every time. “And that’s full disclosure,” Charlotte replies when she thinks she’s revealed the secret of her hostage, adversary, and retribution. “Stubborn and insignificant human nature.”

Memories that come together in Chapter 6 of Season 4 of Westworld.

But if there were any doubts that in this case the season imitates the scheme of the search for self-awareness of its first chapters, then the most recent ones dispel them. He did this by giving weight and content to Jeffrey Wright’s Bernard. A character turned into the last remnant of a defeated world, now an unlikely prophet and incomprehensible ally of the rebellion. “You have to trust me,” pleads Bernard, the creator of the central core of the story around him. “I’ve seen every possible ending, and that’s hope,” he says among the rubble of the park that his human version helped erect.

Bernard, more than any other creature Western world, is the very essence of his proposal. The first robot to replace a human. A successful test for mind control and deceptive reality. And also a version of true conscience, reinforced by a reflection of reality, deployed and twisted into countless different facets.

“A probabilistic algorithm analyzes the future”says Bernard, trying to find the right variable to save the world. The script uses the character as a transition from the past to the future, built on urgency. “So I can guess what’s going on.” The robot that helped create the others must now free its species from Charlotte Hale’s control and, in turn, restore free will to humanity.

Bernard, part of a larger strategy that Westworld has yet to reveal

Undoubtedly, in this Bernard there is a mythological element capable of conveying reality as it is. Caleb is the line that brings Charlotte to the center of her suspicions about a flaw in her plan. Bernard is a celebration of the possibility of liberation. And now Maeve, resurrected as a weapon twenty-three years after her apparent death, has become an instrument of destruction.

The intersection between what happened – and what Bernard witnessed – and what will happen creates a paradox that leads to a single solution. Either the complete death of the crumbling world, or the revival of the old. Western world prepares the end of his story, in which the perception of identity is everything. Also, the greatest sacrifice for the construct worked out on the human mind, as the last redoubt in the midst of a war that is still being waged over the scattered terrain.

Possible end of story

Western world, as a premise, has always analyzed man in terms of his greed and vanity. And the sixth chapter of its fourth season makes it clear that a possible end will be a steady cataclysm in both ideas. The plot, which has always analyzed human nature as predictable and fragmented into analyzable behavior, explores a new dimension of premise. At that time, Western world justifies his cryptic script decisions and talks about one of his toughest moments. And to do so with a showy elegance that dazzles with its layers of symbolism and essential meaning.

What is reality? This is the question that Western world It has been raised several times in the past. In the sixth chapter he answers it. In addition, he breaks the idea of ​​the concept of mind and substance understandable as a new idea. The Jonathan Nolan and Lisa Joy series dispenses with background storytelling and moves steadily through a complex cycle.

But the continuity of ideas does not need in this case tricks or temporary games. Heart – mechanical, cruel, twisted – Western world was revealed two chapters before the final episode of the season. And perhaps this marks the inevitable end of a story that has found all the answers in its own mythology.


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Source: Hiper Textual
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