She-Hulk: Lawyer She-Hulk He has all the ingredients to succeed and become a curiosity in the Marvel Cinematic Universe. After all, he is already a popular character in the world of comics. Irreverent, funny, subversive, and with the necessary social critique that the studio has a particular interest in. So the production combines familiar elements of the superhero genre with something new and fresh. This seems to be the show’s strongest point so far.

But despite the novelty She-Hulk: Lawyer She-Hulk pressured to become a new success for Marvel, claim the studio’s Disney+ series formula, and justify its existence. What started out as a promising direction for the development of parallel, complementary stories or the introduction of new characters, starts to fail.

From mixed reviews, outright indifference from the audience, and, in the end, the inevitable question of whether they’re needed, some of the new ideas house stories are treading sensitive ground. Slippery, which seems to highlight the feeling that Marvel Studios has left its best moment behind and can’t find a way to revive itself.

Jennifer Walters’ story takes place right in the middle of what appears to be a renewal phase with no clear results for the studio. Since the schedule of future film projects is displayed in five years, the series takes a fundamental place. Either as support, context, or even an ideal place to take a closer look at difficult situations. The Marvel series is designed to support a larger story.. Can they do it? At this point, the question has several answers that may be troubling.

Marvel Series on Disney+, a concept that is losing its value and weight

Little by little, it’s becoming clear that the concept of the Marvel series as satellite productions of something bigger is losing its effectiveness. In addition, their status as essential industries is beginning to be questioned. In fact, much of the wrongness of the criticized fourth phase seems to be due to an overabundance of content.

How far can the Marvel Cinematic Universe expand without overwhelming fans and the market with its projects? This issue has been tested over the past two years. With four films in twelve months and all sorts of material added to streaming, the notion of history as novelty begins to lose influence. To make matters worse, it has turned into a clutter of projects without much quality.

But the erosion of interest on the show has been more noticeable than anywhere else. Promising start with WandaVision, Miss MarveI’m a little disappointed for several reasons.. Especially when production failed to live up to expectations.

It was expected that the mini-series, in addition to the origin story of the superheroine, will be an appetizer for miracles (The film will be released in 2023). So a notable success that could increase interest in Kamala Khan for a film project was necessary.

Not only did this not happen, but the series failed to generate the proper curiosity, ending in a subtle failure that, at best, generated lukewarm curiosity. The first three episodes, which featured a fluid and clearly innovative premise, gave way to an ethnic-focused itinerary, offering an experience of great value for inclusion and inclusion. but with a plot unable to handle two narrative lines in parallel. In the end, Ms. Marvel this sounded the alarm in the house of ideas. Is there a real possibility of audience failure for future productions?

Phase without a compass and in the end, small disasters

Eternal

She-Hulk: Lawyer She-Hulk It is positioned as an ideal product for summer holidays. With short chapters and a focus on comedy, the show doesn’t seem to have much ambition. Perhaps at another time in Marvel history, the experiment would have been well received. But at this time the concept seems to have come at the wrong time.

Causes pile up: Irregular premiere black Widow; disappointment that engulfed Eternal; until the confusion Thor: Love and Thunder. Phase 4 showed the consequences of the apparent lack of direction in the universe. Or that despite Marvel insisting otherwise, series and films did not complement each other properly.

And this despite the fact that at first there was an obvious connection. WandaVision showed the origin of the Scarlet Witch, the villainess of the sequel Doctor Strange. Falcon and Winter Soldierhow Sam Wilson took on the mantle of Captain America. Also the identity of one of the Thunderbolts. Actually, Loki She was responsible for introducing Kang, the main villain of phases 4, 5 and 6.

But from HawkeyeBoth layers of Marvel have begun a slow split that has little to do with what’s happening on the big screen. Which ultimately led to the series being seen as a promotional rather than a narrative medium.

She-Hulk: Lawyer She-Hulk and rushed with Marvel content

She-Hulk: Lawyer She-Hulk

This leads to significant responsibility for what She-Hulk: Lawyer She-Hulk piggyback transportation. This is another new character, on the scene of which there will be several new plot threads. Including the long-awaited appearance of Charlie Cox’s Daredevil. In addition, Jennifer is a milestone in the Marvel series. It comes with its own universe which will not be completed on the big screen for now. And he added, with an uncomfortable argument.

First successes She-Hulk: Lawyer She-Hulk surprised by the low quality of the product on the screen. The show’s visuals looked sketchy and of poor quality. And while the new trailer ended up showing a marked improvement, one question remained unanswered. Is Marvel producing far more content than it needs and lacking the quality it needs?

The answer will come with the premiere She-Hulk: Lawyer She-Hulk. It will also be an irrefutable test of whether Marvel needs – or can – continue to introduce products at the accelerated pace that its strategy requires. Could this be the franchise’s first big flop? If so, then this will be a turning point for a stage that is considered unsatisfactory. But also a risk to the global concept of the saga. The most dangerous point you must pass.


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Source: Hiper Textual
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