AT Curse of the werewolf, directed by Michael Giacchino for Disney+, Jack Russell (Gael Garcia Bernal) is on a mission. One that he must complete in the midst of the monster hunter brotherhood’s pursuit. In the darkest night, surrounded by danger and in pursuit of a potentially deadly creature. For a character, coping with horror is not the biggest or main problem. What lurks in the shadows surrounding him is much more threatening and cruel than anyone could have imagined.
In the meantime, he must deal with his own mysterious nature, which beats inside him like a mechanism ready to explode. Jack is not just a man. Nor an inexplicable creature. Somehow he finds himself between two things, in the middle of a space that his conscience can hardly open up to. This new Marvel anti-hero must fight more than just a lurking or mortal enemy. You will have to do it against yourself.
Each part of the story is incorporated into small explanatory dialogues and strangely fragmented scenes into a more coherent plot. Slowly, Curse of the werewolf tells his story, and the director has enough skill not to overshadow the story of his barely hinted at protagonist. Bloodstone, the famous monster hunter, has passed away, but his legacy lives on.
So, in order to inherit not only the gem that bears his name, but also his hierarchy, each applicant must pass the test. This is nothing more than hunting a monster in an extravagant complex and clashing with the rest of the opponents. The one who does it first will receive not only a new title, but also recognition from their peers.
The simple idea is far superior to any other Marvel formula to date.. But the production – the studio’s first themed release – does much more than explore a new location in the saga’s universe. At the same time, it requires significant risk in visual and story audacity. Also, in the production’s brilliant ability to tell a story in what can be interpreted as a capsule of new concepts.
Curse of the werewolf lost in the world of superheroes
Marvel, which has come under fire this year for its ability to keep its offerings imaginative and fresh, has made the decision to change radically. From the visual part to the way to tell the story on the screen. all in Curse of the werewolf it’s a journey through uncharted territory for the franchise.
The film shifts from black and white to splashes of color. In the end, the play of tones becomes the climax, paying homage to the horror films of the sixties. Anything in the middle of an enclosing construct in which links are small pieces of information that are related to each other. The slightly ironic script goes straight to the point.
From the now traditional Marvel presentation, which gives way to a sinister version with chiaroscuro, the message is immediate. Giacchino seeks to surprise. And he achieves this as Curse of the werewolf to support his argument about a short-sighted view of the big world. It’s a fast-paced story about the origin of an anti-hero, but at the same time, it explores the supernatural world of Marvel.
An elegant tribute Curse of the werewolf
He does this without dwelling on over-explanations or difficult points. Giacchino is more interested in showing how flexible and stimulating the Marvel world can be.. So he tries to tell about the ups and downs of this mysterious werewolf, who is a hostage to his fortune. Jack is looking for a higher goal. But he has few tools for this. If it falls to the studio’s heroes to tell how scientific accidents and unexplained miracles made them extraordinary, Jack goes the other way.
Gael Garcia Bernal plays the classic Jack Russell (in a version that links him to Mexican origins) with good humor and a great sense of irony. But it also does something else. Gives a deep sentient quality to a being that must of necessity be cruel and ruthless.. However, Giacchino plays off parts of Will Spencer’s script with elegant satire. Curse of the werewolf It’s more of an homage to horror movies, Marvel’s little quirks, than an adventure. This is perhaps his greatest strength.
Night terror creeps
Curse of the werewolf make a clear point. Gone are epic superhero poems filled with symbols of goodness or glorious undertones. Giacchino portrays a dynamic personality, sometimes heavy and almost always surprising, in a story that spans multiple storylines at the same time. Also, opens the door to a denser, more complex, and weirder story, promising a richer universe for Marvel and its characters..
the date high on Disney Plus now and save with an annual subscriptionwith which you can enjoy its entire catalog of series and films, access to the latest releasesto catalog Star and the best National Geographic documentaries.
As shown in the presentation, superheroes have a mission to protect the human world. But what about the inexplicable? Curse of the werewolf makes it clear that Marvel knows its audience has changed, and with it, its message. Without a doubt, the biggest contribution to this synopsis of allegory, mystery and new anti-hero. Everything from a bizarre vision of darkness has turned into a real goal for a being searching for its identity.
