Series Rings of Power, from Prime Video, is about to wrap up an uneven first season. Despite the amazing visual section, the production was criticized for its lack of commitment to J. R. R. Tolkien’s mythology.. In addition, for the errors of coherence, continuity and logic of the narrative. Will he be able to overcome them in just one chapter?
These are a number of shortcomings that affect more than just the strength of the central approach to production. Also to the construction of a larger universe, on which his already imminent second season depends. The plot, which attempts to cover Tolkien’s Second Age of Narratives, has run into the downside of the vastness of the material available. In addition, with the need to reinvent, rewrite and, in some cases, directly add unpublished information to the central history of production.
But beyond that, the script must structure a coherent story for events that happen millennia apart. Tolkien used the time to sort out his mythology in larger circumstances in his stories. So, a lot of the events that take place in the “Second Age” are in the realm of speculation, without delving into any British text.
So, Rings of Power, the first set of works – not adapted – in the world of fantasy classics, crosses several complex layers. The most severe, some of which link their condition to both a reflection of the wider mythology and real problems of internal logic.
Rings of Power this is a new phenomenon that everyone is talking about and not to be missed
Galadriel, a complex character with a confusing past
Story Rings of Power uses the figure of Galadriel to set the tone, rhythm, and timeline of the events he narrates. It is through her that the plot picks up a common thread of events and how evil is perceived in Valinor and Middle-earth. The Lady Elf is an exceptional witness to the first confrontation with Morgoth, as well as the influence of the elves on the continent.
However, this circumstance puts the script in a difficult position. The character is one of those who corresponded several times in a row by Tolkien himself.. Cause? After analyzing Galadriel in the trilogy Lord of the Rings and to give him a certain preponderance, Tolkien considered his figure from a different point of view.
The rewriting of the character’s personality, significance, and power has created some contextual inconsistencies in his story. But, in addition, he left unfilled many of the points connecting the Elf Woman with the rest of the stories written by the British. some of which Rings of Power try to fill in new information or seemingly new plot twists.
First controversy Rings of Power
what’s the script Rings of Power a journey through Middle-earth with the help of Galadriel implies that several of these dissimilar versions will collide sooner or later. According to the plot, his figure could move according to several different scenarios. A powerful being with a warlike leadership makes the plot? Is she the Lady of Lothlórien, the visible head of the respective kingdom? The mysterious presence that helped Gandalf?
For now, the series focuses on the elf’s youth, assuming she will mature as she develops. Rings of Power. But conflicting information is already known. In the seventh chapter, Galadriel revealed that Celeborn, her husband in Tolkien mythology, had died. Even though the argument suggests that he can only be missing, the event has an impact on the future.
If the show claims that Galadriel wants to avenge her brother’s death, shouldn’t she feel the same need for her partner’s death? More tricky, how will the series include the key character that defines Galadriel in several of her larger stories? A small but important contradiction makes the elven lady’s motives unclear.. So much so that the context that surrounds her and her future motives are questionable. A moment that could directly affect the thematic block of the series.
Rings of Power and chronological question
Tolkien used the time between events to create legends. In other words, to build the context of large events of a huge scale, which are often called into question. A trick to forget the lessons of the past, or at least ignore them under certain circumstances.
So the existence of a Numenorean ally of the elves is incomprehensible to its younger inhabitants. At the same time, the memory of the battle with Morgoth is unclear and inaccurate. The circumstance of the chronological transition in Tolkien is of fundamental importance.. In essence, because it gives the feeling of a complete coverage of the creation myths, oral traditions, and all the rich history that supports the work of the British.
In a peculiar narrative solution, the scriptwriters Rings of Power They decided to synthesize a series of facts of decisive importance from temporal proximity. Forging rings, the fall of Numenor, the so-called Durin’s Bane. All these are events that in Tolkien’s work maintain a huge temporal distance. That allows them to become legends, and later, historical lessons that are forgotten. But the show suggests that they happen – and do happen – very close to each other. What dissolves the effect.
The contradictions continue to the detriment of the depth of the narrative.
The version can be substantiated in dynamics Rings of Power. But the same characters are responsible for emphasizing the passage of entire eras, which means that the narrative contradicts itself. Queen Regent Miriel talks about her ancestors, her alliance with the elves, and, later, about “forgetting old traditions”.
All in the context of millennia of past tense. So does Galadriel, who insists time and time again that she could dedicate “another age” to the search for Sauron and his orcs. So at least the series retains some sort of sensible sense of time.
But, temporarily compressing distant events, the resource loses its effectiveness. There are no forgotten lessons, there are forgotten facts that transform the characters as a result of their mistakes, not actions. A crack that will turn a good part of the map of future situations into tangled misunderstandings with long-term consequences. A severe contradiction for British mythology, which explores the good from the state of ideal deeds.
A season that doesn’t stop focusing
The authors Rings of Power they decided to build a seasonal conflict, which, at the same time, is divided into three parts. On the one hand, the consequences of Durin III’s decision on the city of Lindon. Secondly, the identity of the mysterious man who fell from the star.
But still the most difficult of the script’s mysteries is Sauron’s identity. Just the point where Rings of Power he may lose all solidity if the answer is obvious – as it seems – or a play of hints without much support. At this point, everything seems to indicate that Halbrand, the mysterious and handy king of the southern lands, is the Dark Lord’s disguise.
Ultimately, by the end of the season, the show will place him in Lindon, next to or in collaboration with Celebrimbor. At the same time, with favorable relations with Numenor. Which would make Halbrand the center of two main stories that need to coexist in the same space and setting.
Questions left unanswered Rings of Power
But Sauron’s manipulation of the people of Numenor, which led to the destruction of the Isle, and the creation of the Ring are disparate events. Not because of their origin – both meditate on evil – but because they change the configuration of power in Middle-earth.
Do the writers assume the fall of the westerners and the creation of the rings at the same time? If so, then the narrow advantage would make Halbrand an excuse to rush through opposite scenarios.. With what motivation? It’s still not very clear.
It would be even worse if it turned out that Sauron is not one of the suspected characters. This would convert to Rings of Power in a long guessing game based on clues that are not related to the future plot. Difficult mistake, now on the second season.
