Last of us D The Mandalorian they have a key narrative that opens the door to a new character in fiction. In the new HBO series, fatherhood plays an important role. So much so that it has become a symbol of hope in a world torn apart. A premise that is also related to emotional evolution and the protagonist’s search for a goal of survival.
This plot thread is the one he shares The Mandalorian, already a cult Disney+ series. Both series maintain the greatest significance of their conflict in very similar ways of interpreting a new type of male figure. throughout the need to protect a defenseless child.
It is curious not only that both main characters are played by the actor Pedro Pascal, but also that they have common motives. An emotional journey in which Joel de The last of us like al-Din Djarin from The Mandalorian through self-knowledge and redemption. But what is even more interesting is to rethink how they understand their lives. An element that influences how their respective experience will show increasingly complex and difficult scenarios for this new type of hero.
The power of good of a new type of hero
If anything links the two figures of this new type of hero, it is their ability to find spiritual relief from deep suffering. In the Disney+ production, The Mandalorian is lonely and outcast. Part of a shattered planet and a race devastated by violent conflict, he lived through a bloody past.
For his part, HBO’s Joel Miller will face the fall of civilization through loss and mourning. stories about Last of us D The Mandalorian agree that only the supreme act of mature and sensitive selflessness This will allow the characters to grow.
Creating a new type of hero is not an easy task, especially in stories that are mostly based on action, adventure and horror. However, in the subtext of his spectacular scenes, or darker ones, Last of us D The Mandalorian they ask the same question. What can heal old wounds?
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From the end of the world to Last of us to the outskirts of a galaxy far, far away Mandalorians
Pedro Pascal is aware of the similarities of the characters he plays. Last of us D The Mandalorian. A few days ago, the actor reflected on this in an interview for Collider. From his point of view, Din Djarin and Joel are part of the narrative of a new type of hero. These are restrained characters, animated by a noble intention, but hidden under armor. One literal and one emotional. A silent Disney+ bounty hunter whose face is barely visible struggling to take care of a vulnerable little one. Despite his grumpy and aloof nature; even his initial resistance. The traits he shares with Joel Miller are Last of us.
However, for Pascal, the new type of HBO series hero is much deeper than the Mandalorian. Particularly because his disturbing emotional script runs through the violent death and trauma he must face. According to the actor, Joel will go through grief and mourning the loss to find – with great difficulty and difficulty – the possibility of hope.
“I think someone like Joel is great stuff to study. The emotional richness of a hardened person who becomes human again through relationship formation extends across different stories. I don’t know how to describe how it’s different. Besides how valuable it was to be able to play Joel and know that everything around him is directly related to his relationship with Ellie.
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A new kind of hero looking to the future
However, Din Djarin is also the center of a story in which emotions and fatherly love play a crucial role. Over time, his insistence on taking care of Grog makes him more than just his protector. A new breed hero who shows himself to be a loving father to a child of a different race than his own.
The subtle approach with which Dave Filoni and Jon Favreau created the character of the story allowed him to develop. Moreover, become a new type of hero, more developed and with many spiritual nuances. Quite a rarity in fantasy and adventure productions.
In an interview for Vanity FairPascal studied the imperfect and capricious figure of Din Djarin. He not only commented on her slow transformation, but also on the significance of her small loving gestures.
“Of course, this wonderful relationship with Grogu is developing. And I remember talking to John (Favreau) about what was going to happen. I said the best way (to show love) is to take off your helmet to show your face. You want the child to see it. And because Grog also wants (to see it). (Dean Jarin) wants to experience that kind of closeness in a relationship.”
In both works it a new breed of silent heroes performing an act of pure kindness His determinant. “In the end, it’s all about love,” said Pedro Pascal. Vanity Fair, “and the endless ways in which it can be demonstrated.” A powerful premise that both productions explore with great skill and sensitivity.
Source: Hiper Textual
