IN Three Musketeers 😀‘dartagnan, Martina Burbulo, the historical setting has a new use. Instead of being a static setting, it becomes a vital and moving context that quickly defines its characters. In the first minutes, the camera pans to majestic Paris in 1627.
Despite the dirty streets, wooden houses and wagons shaking among the mountains of garbage, this is the most beautiful city in the world. And this is the part of France that is ruled by Louis XIIIwhich has maintained peace in the country for more than ten years.
The screenplay by Matthieu Delaporte and Alexandre de la Patelière shows the stability of the country, but also the hidden threat. The sovereign is not afraid of meeting hidden enemies, even if he knows that he has them. Cardinal Richelieu (Eric Roof) is one of them. Hiding in the shadows of the palace, he is ready to betray and deceive with all the means at his disposal until he seizes power.
The characters in this story have gone from flawless heroes to fallible, introverted and nuanced people. Despite Three Musketeers: D’Artagnan at its core, this is a grand adventure that starts right away, the plot is slick enough to explore famous figures.
Three Musketeers: D’Artagnan
Martin Burbulo’s film is already the 100th adaptation of the Alexandre Dumas classic, but with a notable difference. The story, instead of emphasizing the dignity of its characters, does so in their shadows and dark places. Also in humor and a massive tribute to the adventure genre. The result is a story that, without great ambition, becomes elegant entertainment with great visuals. However, his script lacks the strength to turn the production into something more. With a few noteworthy action sequences, it becomes predictable in the last section as it pays homage to the great cinematic adventures it imitates. Possibly your biggest problem.
Three Musketeers: D’Artagnan This is an updated classic.
Charles d’Artagnan of Gascony (François Civil) is skilled with a sword, brash and looks more like a liar than a knight. Something the story enjoys in storytelling in its first part. In addition to his duties in the musketeer brotherhood, which he will soon join, this young man, reverent of Paris, craves fame and money. As quickly as possible and in the simplest way possible.
Certainly, Three Musketeers: D’Artagnan it focuses on his eventual maturity and perhaps greater nobility. However, the conflict is far more concentrated in the shadows than in the light of its most visible face. Just like the rest of his cast.
Constance (Lina Khudri) milady de winter (Eva Green) athos (Vincent Cassell) Porthos (Pio Marmai) and Aramis (Romain Duris) are a strange mix of strengths and weaknesses. Something that is told in the midst of a mystery, a possible redemption and, no doubt, a search for a greater ideal.
What sets the film apart from other adaptations
Three Musketeers: D’Artagnan it begins in a peculiar way: with the death of its protagonist. This is a plot trap that immediately reveals its intentions. A young swordsman emerges from the ground where he has just been buried, unharmed, making it clear that the plot is full of traps and missing clues. At the same time, this fearless anti-hero has enough strength to withstand the most bizarre situations.
The director’s obvious intention is to show that this new version of the classic Alexandr Duma it’s as lighthearted and fun as it is visually impressive. Except that it is as far away as possible from more than forty adaptations of the same story that have been made so far. Even though its main elements are known to most of the public, it manages to stand out for its effectiveness due to its ability to excite.
The next thing that happens in Three Musketeers: D’Artagnan it is a fast journey among many dangers. D’Artagnan He will duel, insult cruel strangers, and prove his worth while avoiding – again – murder. All on the same day, and is haunted by the threat of disclosure of a conspiracy that surpasses him in knowledge and experience.
Action all over the place Three Musketeers: D’Artagnan
When the protagonist finally joins his cloak and sword comrades, Three Musketeers: D’Artagnan reaches its best moments. In the second part, the French director manages to make all the characters – even minor ones, whose faces are barely visible – express different shades of emotions.
D’Artagnan he tries to solve the murder and reveal the identity of the faceless enemy that follows him everywhere. Meanwhile, his confidant in the palace is watching the power’s tricks. In addition, there are many other storylines, such as the need to spy on the Catholic Church and, of course, to guard the lady on duty.
In less capable hands, such a mix would have turned the film into a fast-paced mishmash of unfinished stories. But Martin Burbulo manages to make it a crazy, interesting and enthusiastic journey through a history full of energy. Despite the presence of some plot holes that cannot be explained, and the forced hint that the story will be continued in the second part.
However, there are more high points than bad points in this adventure that never stops and that captivates with its ingenuity. For its open ending, which announces a second part, filmed at the same time as the first, to be released on Christmas Day, Three Musketeers: D’Artagnan Show your greatest power. The ability to be an elegant show despite his few ambitions and occasional misdirections.
Source: Hiper Textual
