The Boys: The Good, the Bad, and the Ugly of Season 4

Season 4 Boyswill probably be remembered for being the one that surprised fans the most. And not always for the better. Or at least not from the point of view of its group of followers. The fact is that the production, which was even transgressive, violent and uncomfortable, achieved the greatest political significance. Which led to this message – very relevant at all times – to be more direct, more cruel, and, no doubt, much more evil than he had been hitherto.

The result was as unexpected as it was bizarre. On the one hand, a group of followers noted that the show had embraced its anti-establishment message wholeheartedly and left no stone unturned. On the other hand, it was accused of pandering to it, as well as of blatant political support. Between the two, Boys, He also had to find a new angle to tell his story after nearly half a century of delving into the same characters, which led to some questionable script decisions, or at least a complicated vision of the series’ purpose. It’s like the center of the expanding universe.

To take a closer look at all of the above, we leave you with The Good, The Bad, and The Ugly of Season 4. BoysFrom its highly political and controversial focus, the death of some characters, to its inability to overcome itself, it’s a journey through one of the most difficult to define productions that has been going on for quite some time. One of its most recognizable elements, which was put to the test in the new series.

What’s so great about The Boys season 4

New characters with pluses

One of the most important points BoysIt was the way the plot explored chaotic situations through characters with questionable morals. The result is a map of often unpredictable situations that the protagonists explore from new angles. But more than that, it uses them to tell a smart and brutal story that grows with each installment. until he came out with a direct and malicious criticism of contemporary culture.

Season four does it again. Only this time, it’s more aware of the importance of the relationships between its main characters. But also how important their actions and decisions are in the face of the show’s politics and even ethical vision. With two additions to the original cast, Boys He takes some of his best songs and takes them to a whole other dimension.

On one side, there’s Sister Sage (Susan Hayward), the smartest person in the world, responsible for the dubious strategies of The Seven and Vought International. The other is Firecracker (Valorie Curry), responsible for a new kind of dubious superhero communication. The result is a tenuous atmosphere that becomes increasingly complex and twisted as the chapters progress.

Ordinary, more complex than ever

At the other extreme is a group of recurring characters who have become more complex, violent and, of course, cruel than ever in season four. Which includes the different facets of Butcher (Karl Urban), showing his anxiety, angst and even streaks of madness that he has to deal with. When a person is split into two visions of evil – and not good – The character showed his most brutal, perverted and bloody side.

But the same can be said of his nemesis, Homelander, played by Antony Starr. The writers took the time and interest to create a villain with a painful and increasingly violent past. But beyond that, he remains the embodiment of corruption, corrupt ethics and greed. Vout International. All this led the character to unknown extremes and to committing new horrors.

It’s fair to say that the rest of the cast shines in a series of surprising versions of good and evil. From Starlight (Erin Moriarty), a hero in her own right, to the horrific experiences of Hughie (Jack Quaid) and his father (a huge Simon Pegg), the truth is that the superhero team is at their worst and most complex. from a surprising new perspective.

The Bad Side of The Boys Season 4

The series starts repeating itself

That despite the efforts of Eric Kripke and the team of writers he leads, Boys suffers from the inevitable cyclical hangover of its most recurring themes. From the Butcher’s hatred of the Patriot (Homelander) to the determination to exploit the setting and characters Vout International parody the great superhero sagas. The truth is Boys begins to suffer from the inevitable turning point a point that begins to become repetitive, if not tiresome, in some of the main plots.

Particularly when the various chapters fail to find a new way to talk about the corruption of power. Beyond violent fantasy scenes (yes, we mean the man-eating sheep) or the revelation of Joe Kessler’s (Jeffrey Dean Morgan) true identity. Boys He tries at all costs to refresh his basic obsessions, or at least to complicate them. But whether because of the lack of the element of surprise, which has become predictable, the series had little to contribute to the show’s central universe.

More impressive than difficult

Mutant chickens can pierce the chest of even the unsuspecting, exploding heads and spilling entrails. Homelander is covered in blood after yet another atrocity. Hugh Campbell Sr. impales an unsuspecting patient. The truth is, in season four There was no shortage of brutal, disgusting imagery that reminded us of the mythology surrounding the series.

But perhaps it is because there is nothing new in the antics of the Seven, or because it is already clear that in Boys everything relies on bloody exaggeration, nothing was particularly surprising. At least not in the total and confusing way of previous seasons. In fact, one of its low points was becoming predictable. So much so that no one was truly surprised by the revelation of Joe Kessler’s true identity. Or even one of the most disturbing moments in the movie “The Patriot” (Homelander).

Less effective than generous, the fourth season is already leaving behind symptoms of narrative fatigue. Much more evident in the final three chapters of this article and the way he explores the situations surrounding his characters.

The Ugly Thing About The Boys Season 4

From review bombing to fan aggression

Boys It has always been an anti-establishment show that satirizes everyone and everything. From the great superhero franchises, Hollywood, the occupants of the White House, and even religion, gullibility, and bigotry. Nothing is missing from the list of satires included in the show. to her repertoire and which made her a favorite of a large number of fans, charmed by her mocking and mischievous humor.

Thus, the side reaction of the part fandomfor the story’s decision to mock the trial of Donald Trump, ultra-conservative extremists and the American political right. The backlash was immediate and vehement. bombing review on various platforms. But what’s worse is the complete ignorance of the essence Boys. Namely, as Garth Ennis’ comic shows, most of the story’s ideas are based on confrontation. It’s an exploration of cultural hypocrisy from multiple perspectives.Something that season four has taken to a whole new dimension.

Is this the end of the complicity between fans and producers? Probably not, considering there’s only one season left and most likely, Boys Find a new audience. However, the show continues to make it clear that its goal is to make people uncomfortable.Which he will undoubtedly continue to do, using all the resources at his disposal.