There’s Only Murder in the Building Season 4 Review: The Best So Far

Since its premiere in 2022 Only murders in the building There were two things that made it special. On the one hand, it had some of the best comedy episodes in recent memory, as evidenced by its numerous Emmy nominations. On the other hand, there was the problem posed by its premise. Namely, a group of amateur researchers, who try to solve the crime of the season through mistakes and clumsiness. How do you achieve something like that?

In less capable hands, the plot would have languished or, at best, become routine. But season four Only murders in the buildingshows the series becoming increasingly inventive and daring. Especially when it fully embraces its sly and tongue-in-cheek comedic nature to delve even deeper into the idea that its characters are more than they seem. Something that, on the other hand, season three had already made clear, but season four more than shows for the first time Since its premiere, the production has shown itself to be heading towards stranger and more sinister places.

What’s more, it does so without losing its signature sense of humor and absurdity. The result is a brilliant new installment that explores the seasonal conflict that ended the previous one, adding to it the need for closure. Where the Disney+ series has previously seemed to lack direction, season four has more than its share. It also makes it clear that each chapter is a a playful excerpt from the central plot, a mix of humor and tension.

Returning to the scene of the crime

To put it into context, the end of season three left Charles (Steve Martin), Oliver (Martin Short), and Mabel (Selena Gomez) in a compromising situation. Not only did they reveal that Cliff (Wesley Taylor) was behind Ben Glenroy’s (Paul Rudd) crime, but it also opened up the possibility of delving into other areas. After all, the group had already lost their innocent rookie façade in their search for clues. to achieve a more complex atmosphere in your research.

So it’s a good decision that the new season will pick up right where the last one left off. Sazza (Jane Lynch) has just been shot, which of course will have the podcast crew trying to figure out what happened. But more than that, we’ll now have to wonder how much of this is a result of his inexperience, or whether even this new crime is nothing more than a set-up. The best part is Only murders in the buildingplays with intensity in his new season. And he does it so masterfully that he automatically resumes the formula from the starting point.

Who would have anything against a stuntwoman? Or rather, is this a fact that directly indicates that Charles is in danger? What happened is still not entirely clear, but Only murders in the building Let’s get something straight. The investigation is no longer just about the neighbors, there’s a broad wave of possible interests and culprits. All of this makes the new season a misleading scenario. which, from the very first scenes, strives to innovate in order to give the plot a fresh look.

On the Road to Mecca Cinema

But what’s even more interesting is that the series also challenges its own formula. From how to begin solving a potential crime to facing Hollywood, the show examines the impact of the modern obsession with true crime in everything it does with a film adapting the famous central podcast. Which not only becomes a new topic of discussion for the group – and it couldn’t be any other way – but also an uncharted horizon. Which makes this topic central from now on.

One of the best decisions made in season four is to pit the characters against their actors. It’s a perfect time for the announced episodes. Eugene Levy will play Charles, Eva Longoria will play Mabel, and Zach Galifianakis will play Oliver. The mix of familiar producing talent and newcomers, gives the series some of the season’s high points.

But what is most appreciated (and the script works best) is the trio’s arrival on the West Coast and in Hollywood. The plot becomes richer and the humor more sarcastic as Mabel, Charles and Oliver come to terms with the fact that fame will soon be everything. Is this what you want? At least for Mabel, the question is uncomfortable. For Oliver, on the other hand, it seems like wish fulfillment. But Martin Short prints his character There are so many nuances that the possibility is not so obvious, much less inevitable.

From Manhattan to Hollywood and Back

He spends much of the season balancing between both scenarios. On one end, the New York investigation. On the other, the tantalizing lights that could turn this team, faced with a variety of situations, into something entirely new. But at its core, Only murders in the buildingretains the essentials, so that its story continues to function as a great humorous mechanism. His ability to mix humor and drama, while also intriguing and having a delightful satirical undertone.

Judging by the latest episodes, it’s clear that the series is going to change its tone. But not in the way expected, or at least not in the way one might initially believe. One thing is clear: this genius production is only growing. Get richer, more humane, and more sensitive. Also fun. A gift for the fans, which makes the fourth part perhaps the best one to date.