HE, What have you done last summer (2025) will begin three decades after the first film. But the scenario is still attributed, predictable and full of failures, such as the 1997 tape. This is from a series of bad creative decisions of the director Jennifer Kaitina Robinson, who is trying to connect several scenarios at the same time. On the one hand, the already well -known story of the killer in search of revenge and with a hook as a weapon that everyone is killing in the murder. On the other hand, a new generation of characters, Obviously, it is destined to make in a sequential order, the mistakes of the already known.
Thus, the film loses a lot of time and effort to count both in parallel. To do this, this new issue is returned to the coastal city of Saoutport, which is now a home for a new generation, which, as expected, makes a number of bad decisions. It all starts during the party on July 4, when a group of adolescents led by Ava Brooks (Chase Sui will be surprised) and Daniki Richards (Madlen Klein) This is involved in an accident that decides to hide.
This decision reveals the return of a mythical killer with a hook known as FishermanA field in one of the few original moments plays with ambiguity. It is unclear whether this is the same killer of the past or imitator, but the truth is that the threat will return strongly. To face the threat, the new main characters turn to those who have already experienced the original nightmare, Julie (Jennifer Love Hughitt) and Ray (Freddy Prince Jr.). From there, the film travels practically The same scenario as the film that seeks to imitate.
Nothing new under the sun in “I know what you did last summer”
This, not making the slightest attempt to be less predictable, universal or only a continuation, which fits strongly into the saga without much brilliance. Thus, although the scene differs, and new symbols, the script processes the skeleton of 97 tape. I know what you did last summer He seeks to mix nostalgia with a new direction, but he does this awkward way, repeating the schemes, without offering memorable turns. In addition, a moral dilemma that begins history seems much less shocking than From the original argument and weakens the motivation of the characters from the very beginning.
This is because, unlike the plot that preceded it, where the mistake was clear and straight, here the accident seems less condemned. Something, which remains urgently and the dramatic load in the conflict. A group of main characters chooses silence, a choice, which, although understandable in the genre, feels forced and unjustified. As the plot progresses, this lack of logic is emphasized. The decisions made by the characters relate to the absurdity, especially in the last act, Where extreme situations make them react illogically.
Instead of creating a solid stress history, the script uses unnecessary turns, random dreams, fabulous elements and poorly designed monologues about sects and exclusion. The script of Jeff Howard, Leah Mackendrick, Jennifer Kate Robinson and Sam Lansky, intend to modernize the franchise with more modern problems. Something good Theoretically, in practice, it remains halfway and works without further depth.
The tone also dances between the genres, as if I know what you did last summer He did not belong to one specifically, or the director did not know, at that moment he was focused on the interests. Sometimes it seems that he wants to flirt with comedy, but humor attempts rarely influence. The result is a mixture, which is not ultimately: and not seriously enough to disturb, Neither fun is enough to easier the trip.
The murderer on the hunt
One of the few saved things from the film is how he shows his killer. Fisherman In this version, this is undoubtedly one of the best aspects. The direction of Jennifer Cateit Robinson looks especially as he processes the appearance of a gloomy figure. The selected personnel and the use of sound make each sequence of attack feel tense and frightening. The first murder on the screen is stunning: it is definitely delivered, and He immediately sets a tone for the most intense moments of the film.
Every time a killer appears, there is a real sense of weight. Unfortunately, this tension design is often violated from excessive use of predictable shocks. The problem is not in Drying Fear By itself, but how badly they are fulfilled in general. They are so obvious and so poorly distributed that they acquire forces in the scenes that they should bother.
These types of shocks work when they are unexpected or integrated, as was demonstrated in other recent franchises, but in this case they ultimately become an obstacle, not a tool. The result is an atmosphere interrupted by the effects Aggressive sound that does not add to the terror and yes to the sensory depletion of the viewer.
Nostalgia without interest in “I know what you did last summer”
One of the great stumbling stones of this new issue is how veterans are processed. Theoretically, the return of Julie and Ray should be an important event, a way of emotional connection with those who have grown with a franchise. In practice, their appearance is minimal and loaded Self -assessment of links that strive to create nostalgia, but feel empty.
Jennifer Love Hwitt, in particular, is squeezing to read the symbolic phrases of the past, without having a real influence on the plot. The most contradictory is that his character even makes a critical speech about the re -operational Nostalgia, while the film makes this particular mistake.
This is the goal of comments, which instead of seemingly reasonably, the lack of new ideas emphasizes. Freddy Prince is Jr., on the other hand, has even less relevance. If the script created a plot in which they were guided or faced with their past injuries, it could work. But, turning them into sentimental cameras, the film completely misses his legacy. And in fact, an opportunity for At least, it is interesting to celebrate the moderate importance of the franchise from which it comes.
That which is never achieved, and this is actually a fundamental decision of the tape. At the moment, this new version I know what you did last summer I fell into a trap on someone’s land: and does not stand out among new SlasersNeither dictates the classics that is trying to continue. The worst that we can say about the tape, which It depends directly on being attractive to nostalgia.
Source: Hiper Textual
