Most of the movie Don’t worry dear, directed by Olivia Wilde, Alice (Florence Pugh) looks awkward. As much as for your ideal home life would be a non-breathing space. It seems to become smaller, more limited and crystallizes into a kind of flawless stamp. The film, which opens in theaters on September 23, aims to show that the character enjoys the privilege of a loving home, a bright future, and the possibility of a perfect life.
But this picture of an ideal family life is so unreliable that it sways noticeably quickly. Wilde shows an ideal world, albeit full of cracks. has serious difficulty stating its premise. At least delve into him without making the secret he’s trying to hide obvious.
Inevitably, Alice appears to be a prop while her husband Jack (Harry Styles) watches her from a more than suspicious distance. “We have a great job making our husbands happy, helping them succeed,” says Bunny (Olivia Wilde), Alice’s beaming neighbor. Another dazzling play on the big stage of impeccable reality.
Don’t worry deara place where perfection is possible
“We have created perfection. Symmetry, order is everything in every system,” Frank (Chris Pine) explains. The character is the architect of a mysterious company that maintains Victory, an exemplary and tidy city that the characters enjoy. “This is the only way to get the most out of it,” he adds.
A small population of radiant men and women Don’t worry dear, to whom he has given a job and a place in the world, looks at him with devotion. They are destined to change the future, to keep hope in a hostile world. Of course, only if they safely hide their secrets under the impeccable guise of serene prosperity.
But the production lacks the opportunity to explore the dark spots of the psychological thriller it alludes to.. The screenplay, written by Kathy Silberman and Cary Van Dyke, fails to create the tense and dangerous atmosphere that a hard-hitting visual requires. The camera closely follows Alice from day to day, in which every element and event is sustained to perfection.
Very bright days, a luxurious house with impeccable floors and furniture. The feeling that time passes through the narrative as a blurred presence. Is it sweet fifties, earlier time? Or a vaguely outlined future that reflects—and in most cases ineffectively—something more troubling? AT Don’t worry dearneat imagery hints at a hidden threat, but the plot turns the warning into a direct statement.
What lies behind the beauty
As a director, Wilde has a more than obvious talent for crafting a story with carefully crafted pace and tone. At the same time, with ominous strokes, hint at what is happening against the background of stylized scenes. Don’t worry dear. Actually, the biggest interest in the production is how the director manages to avoid the obvious main point of the plot..
Time and time again, Alice and Jack’s house turns into a claustrophobic set of spaces. The walls seem huge, and the corridors are endless. Meanwhile, the characters are hostages, or at least almost ghostly figures, moving from one side to the other with strict severity.
What exactly is going on between this young couple? Wilde struggles to detail the awkwardness of the silence, the oddly smiling faces of his characters. A grim perception that behind all its youthful and flawless brilliance lies a bitter element. What moves on the borders of history and sometimes barely flickers?
Uncleaned Argument
The question arises immediately, and the answer comes too soon. Actually, responds with red herrings of alarming clumsinessin the first twenty minutes. A script that tries as best it can to develop the notion of paranoia around what appears to be a family drama fails.
Don’t worry dear does not keep his secrets well enough to hide them in increasingly peculiar patterns of everyday life. This is despite the fact that the director, with malicious intent, digs deeper into the premise. The artificial sobriety of colorful houses turns into an unhealthy environment. The ever-bright sun is a constant, inexplicable presence. Wilde chooses some fabulous, unreal air that slides towards the awesome.
Alice with suffocating longing begins to contemplate what is happening around. Was it bullshit? Is there a crack in the flow of time in which each element occupies a specific place? For Alice, the feeling of fear turns into suspicion. Jack is lying? Is it possible that everyone is lying in one way or another? Slowly, the background of the world in another world is easy to reveal. So over the top that it prevents the film from creating an alternate reality. Make it believable, significant, or with enough impact to support the story’s knot.
Poorly Conducted Narrative Experiment
One of the saddest moments Don’t worry dear the fact is that it immediately loses its effectiveness as a giant trap. The story of Alice, who doubts her mind, what she can see and touch, in the conclusions she arrives at by a simple check, is suddenly distorted.
The argument cannot play with the pieces at its disposal and collapses. in the second act, the whole atmosphere takes on a shade of unnecessary urgency. Wilde aims to turn the film into a magnificent vision of unsettling, half-open horror. But the script fails again, ending all of the proposed storylines.
The narrative is not skillful enough to give a plausible representation of the unreal because it tries to portray it. In an attempt to emulate the harsh reality The Truman Show, Wilde plays with the idea of a scene superimposed on everyday life. But the script is too bland to support a narrative twist of this caliber, and the film leaves its most obvious obsessions unfinished.
An unnecessary, poorly executed social commentary is soon added to the film, causing the premise to drift away from the center of the mystery. Trying to create layers of depth Don’t worry dear turns out to be nonsense at the core of its history. The film subverts the atmosphere of conspiracy carefully crafted by him and leads to the twisted conclusion of hasty revelations. The supposed creepy mechanism it reveals is shattered until it loses all of its essence in the third installment, the final scenes of which border on the ridiculous.
Finally, Don’t worry dear it is a mechanism that fails because of its inconsistency. In addition, the surface reflection of objects that are not interesting to him. With its gleaming guise of a sinister trap, the film is merely a preview of a more complex conflict that never develops.
