Several scenes in Doctor Strange in the Multiverse of Madness they have the unmistakable seal of Sam Raimi. Not only because of his dark vision of places and settings. There’s a lot Evil Dead D dark man how the director portrays his characters. His inner chiaroscuro, his awesome powers and his fragile humanity are always on the brink of disaster.
The director turned what could have been just a massive adventure – and it is – into a vision of evil. Also from heroism, ambition and the great fall of superheroic altruism. In fact, the premise of Doctor Strange’s story in the multiverse of insanity that finally addresses the multiverse in its entirety is loss. And so radical, complete and destructive that he is able to turn the world into a rewriting of reality.
At the same time, Raimi explores references to his own filmography in terms of rhythm and enigmatic dialogue. Doctor Strange in the Multiverse of Madness left behind a good gleam the third phase of the Marvel Cinematic Universe. Even more intriguing is that this breaks the milestone of sober arguments that analyze their stories from redemption. Focused on the loss of faith and the twisted feeling of falling into the abyss no character is completely innocent.
Darkness covers everything
And it’s not without pain, injury, and a long map of horror in tow. Raimi explores for the first time the world of broken superheroes, missing, empty spaces. “I could use an Avenger” says a dejected Strange (Benedict Cumberbatch), guilty of decisions he knows are unacceptable. Wanda Elizabeth Olsen looks at him with alarming coldness.
The concept of mystery becomes a specific plot rhythm. Inexplicable creatures that lose an eye and tremble with dark life force in front of the camera. Blood as a rare fear concept. The shadows that surround the most evil dreams and sequences or those that they tell about the very root of the inner world of the characters.
Raimi has found the multiverse of madness in Doctor Strange’s sequel to be the perfect place for a thorough storytelling of a world full of detail. Style and form completely different from his already iconic Spider-Man trilogy.but both share grim emotions. Finally, Marvel left behind that almost naive element that supported its proposals. And the change is huge.
In the dark areas of Doctor Strange in the multiverse of madness
Doctor Strange in the Multiverse of Madness begins by making it clear that the Sorcerer Supreme is facing a threat beyond his control. Strange has nightmares. So bright and destructive that it is indistinguishable from the real world. Raimi begins her journey into the unthinkable with some idea of dividing the world in two. From the first scene, which quickly shows the two main characters and the death of one of them, the double meaning of the film is clear.
The story will also tell how Strange deals with the consequences of his actions. The reality rift that invades unknown places becomes a dilemma. The Sorcerer Supreme is not a hero of other parts, a savior or a connoisseur of the secrets of the invisible world. Now he too is a victim of his actions.
It will become clear throughout the film that Strange – and several variants of him – need to quickly realize that the world as they know it is falling apart. And in the first half hour Doctor Strange in the Multiverse of Madness Everything happens too fast to understand. It suggests the existence of a gap in time and space at an unknown level. At the same time, he faces his responsibility. What happens is part of your decisions. Is the multiverse so simple, or is Strange’s power so great? The movie doesn’t make it obvious and makes a smart choice to talk about it.
From multi-tentacled monsters showing the depth of terror in doors to the idea that Strange might die. Blue portals that open around him in inexplicable patterns lead to dark places. The film analyzes the relationship of the characters with the authorities in a new way. Moreover, Raimi even operates with the idea of a split reality in conscious visions.
All Facets of Reality in Doctor Strange in the Multiverse of Madness
The show is not limited to following the vision of the duality of reality, which Spiderman: No Way Home announcement. Now Strange must understand that conflict and chaos come from the most unexpected places. The script by Michael Waldron and Jade Bartlett immediately shows two extremes of power. One side, a very young America Chavez (Xochitl Gomez) has an unknown type of power. in the Marvel Cinematic Universe.
The character jumps into action without any intro, and his storyline builds as the movie progresses through the frantic plot. But one thing is clear: America is in danger. Then there’s Strange wanting to protect the multiverse.
Unlike his comic book version, America is much younger and has no real idea of his powers. “I go from one place to another when I’m scared,” she admits, which, of course, does not clarify either her origin or the magnitude of her abilities. But in Raimi’s film, everything happens so quickly that there is no time to give deeper and more direct explanations. There will be—Waldron has the ability to tie the chaos of the film into a thematic unit—but everything that happens almost simultaneously is confusing.
Strange will understand how much America is needed when he goes in search of the film’s other power pole. Wanda Maximoff is shown as a tragic being who cannot be called a villain. In fact, Raimi and Waldron try really hard to make it happen, and in most of the shots, Wanda’s violence comes from pain. With nothing to lose and determined to push the boundaries, the character leaves behind his duality to support his dark side. Doctor Strange’s Wanda in the multiverse of madness bears little resemblance to the wounded female WandaVision.
Wanda’s rage is fueled by the study of magic and how it is affected by the Darkhold. Once again, Raimi brings up the story of duality. We don’t know Wanda’s true intentions (much less her powers or what she’s capable of) until Strange trusts her. Until he shows her a path that could be the answer to Wanda’s relentless search, and finally the multiverse collapses completely.
All worlds broken, tragic vision of power
Raimi and Waldron’s script creates an add-on that propels, pushes, and harnesses the full power of their characters. America takes Strange on a journey through dozens of multiverses as Raimi creates wild scenery. Wanda follows them and, finally, the Scarlet Witch demonstrates the fullness of chaos magic.
At different times it is inevitable to wonder how and in what way will Strange be able to reduce or defeat him. And it is this quality of inevitability – like the eerie shadow of Thanos – that makes the character unforgettable.
However, one of the shortcomings of the film is that Raimi does not allow real questions about the multiverse to be asked. Alternate realities can hardly be seen in free fall, which mimics the animated series’ shattered aesthetic. What happens if…? The only reality that can be detailed provides no information other than the characters’ dilemma. But one thing is clear: in other regions of the multiverse hero teams are also thriving and strong.
The commented cameos are less spectacular than rumored. But at least John Krasinski as Mister Fantastic is a welcome addition. Despite his untimely demise, it’s clear that Marvel will be moving in the direction of bringing back the superhero family. The arrival of Captain Carter Hayley Atwell is one of the highlights of Strange’s visit to the hall of the expected Illuminati.
live action the character presented in the animation is fighting with Wanda, strikingly choreographed. It’s a bit disappointing how Wanda sweeps away the long-awaited appearance of Dr. Xavier (Patrick Stewart) and Black Bolt (Anson Mount). The same fate befell Captain Marvel Lashana Lynch. But perhaps it clarifies the film’s recurring message: this is not a film that explores goodness. In fact, it explores something deeper and weirder than any other superhero movie. Corruption of power.
Scarlet Witch, the end of all roads
One of the most mysterious elements Doctor Strange in the Multiverse of Madness the fact is that the Wizard is not the center of the action. In fact, the movie creates Wanda as the most amazing character in the Marvel Cinematic Universe. This would explain an ambiguous ending that makes it clear that there will be more characters in the future. And something else very important: Strange defeated Wanda only with emotions, not force. Will we see the embodiment of chaos magic again in the future? Undoubtedly.
The two post-credits scenes are as eclectic as the movie itself. One of them is a funny hint to Raimi fans. The other is the appearance of a long-awaited character. Are the doors finally opening for multiverse warfare? Rather, this tragic Strange, knowing his limits, bereft of allies and broken by pressure, is the leader of something greater. It remains only to wait.
Source: Hiper Textual
