Daggers in the Back: The Mystery of the Glass Bow, written by Rian Johnson, has become one of Netflix’s most successful projects. So much so that it takes a privileged place among the most viewed content in the history of the platform. But the suspense movie also showed that a sequel could be as witty and ingenious as the story it comes from. Johnson managed to create a witty riddle and offer a perspective on avarice that strikes with its tongue-in-cheek sense of humour.
Of course, this is not the first time that an action-packed film about a mystery that needs to be solved for a while and in the presence of several suspects has attracted the attention of the public. From the beloved works of Agatha Christie and Sir Arthur Conan Doyle to the vast array of cinematic thrillers that have been popular for decades.
Mysterious murders, incredible robberies and intricate criminal events have attracted the attention of the public. Especially when the script has the savvy to challenge the audience’s imagination and make them part of the experience.
We leave you with five suspense movies you’ll want to watch if you’re a fan of crime thrillers and mysteries. Or also if Daggers in the Back: The Mystery of the Glass Bow left you with a need for more stories like this. Stories that will test your wits and deductive skills in completely new and unique ways.
Lossadventure movie based on best-seller
Based on the best-selling book by author Gillian Flynn, David Fincher’s film has become a thriller classic. But, especially, in one of the films that most gracefully dared shatter the usual murder mystery.
When Amy Dunn (Rosamund Pike) disappears without a trace, her husband Nick (Ben Affleck) becomes the prime suspect. Something inevitable after the police discover that a seemingly exemplary husband is in fact cruel, unfaithful and a cheat.
Is it really true? In the second part, the script of this action-packed film dares to break all the laws of the cinema of murders and police mysteries. Just like the book, it doesn’t just deal with suspicions from an unthinkable dimension. It also completely revolutionizes the notion of victim and perpetrator in an engaging and even mind-boggling game of red herrings.
From his final scenes, it becomes clear that Loss This is more than just a murder story. It’s really a look at the secrets that are hidden and the fears that lurk in brutal intimacy. And as if that weren’t enough, painful spaces created by the worst and most unpredictable criminals. A gem of a genre worthy of a review.
happy day of your death
Tri Gelbman (Jessica Roth) is the typical tough girl on a college campus who doesn’t care until she gets killed. Only to wake up to find that his bloody death scene was a dream. At least she is convinced of this, until once again she is stabbed by an assassin in a frightening mask of a little boy.
This thriller uses the classic time loop in such an original way that, despite the flaws in the script, it’s smart. But he does something else: he makes the main victim the only person capable of investigating his own death.
The resource provides happy day of your death strange game of creepy death situations. Tree must escape the killer who is after her and die each time trying to figure out her identity. At the same time, the last twelve hours of his life are repeated in the same sequence.
After all, the thriller’s premise is far more thrilling than its gaudy ending. But, nevertheless, this is a well-oiled mechanism for successful plot decisions. At least the ones that make the plot, which could just be relevant, more fun.
Another great thriller game night
Max (Jason Bateman) and his wife Annie (Rachel McAdams) enjoy a weird evening with friends. The background of a fun night? They must solve the murder with the help of the clues that an elaborate staging leaves behind. But things get much more complicated when the couple and the rest of their acquaintances find themselves at the center of a real crime. As if that wasn’t enough, they wouldn’t know right away, which would make the situation even more chaotic.
One of the pinnacles of John Francis Daley and Jonathan Goldstein’s work is playing with the dimensions of reality and fantasy. Something that makes this suspense movie deepen elegant black humor and witty approach to provocations. As a group of frightened impromptu investigators try to figure out what really happened, the script makes smart decisions.
On the one hand, the continuation of the investigation under conditions of uncertainty in an attempt to understand what happened. On the other hand, it is a collision with all sorts of personal and family dilemmas, as important as the crime. The result is a seemingly harmless comedy with several layers of black cynicism. One that also includes crime as a pretext for self-discovery of its characters.
dangerous goodbye
Philip Marlowe (Elliot Gould) is an explorer and a worthy heir to many other movie heroes. don’t go. But he has a problem: he is suspicious of anyone who does not hold a cigarette between his fingers. Secluded in the attic with his naughty cat, he usually does not take on cases as often as ten years ago. But even so, he still has a brilliant mind for deduction.
This may be your only advantage when you find yourself in the middle of what looks like a well-designed trap. The one that does it the only murder suspect in the middle of an unexplained situation. So Marlow must not only prove his innocence, but also find the killer of an unknown woman.
This thriller by Robert Allman is a classic that uses the best elements of cinema. don’t go in a figurative and well-constructed form. Much better, which gives Marlowe’s character the chance to be the center of an increasingly complex plot. As for the amazing final scene, the mystery is revealed. But beyond that, to show that the script fooled the audience—almost as elegantly as the killer—throughout most of the footage.
two dangerous guys
In the picturesque 1970s, hitman Holland March (Ryan Gosling) just wants to be left alone. Quicker, that they let him kill skillfully without major setbacks.
But in an inexplicable twist of fate, March joins the investigation into the disappearance of an unknown woman. Unaware that what started out as some sort of well-intentioned favor ended up becoming something more dangerous.
March soon finds himself in the midst of the porn industry, its dangers, risks and limitations. And as if that wasn’t enough, trying not to get killed, trying to find a victim for what looks like a conspiracy. And all this in twenty-four critical hours, during which he must decide whether the escape is saving his life or vice versa.
Source: Hiper Textual
