Why did All At Once, Everywhere At Once win an Oscar for Best Picture?

All at once everywhere at the same time, written by Dan Kwan and Daniel Scheinert, made history at the 95th Academy Awards. Not only did he receive seven awards, including Best movie, Best Director and three main acting categories. It also became the first science fiction feature film to win the award. But what is the reason that a film from a production team called Daniels has become something more than a Hollywood curiosity?

The feature film is a mixture of future exploration, human nature and spiritual goodness. All from the concept of the multiverse. But unlike Marvel, who has so far struggled to bring the idea of ​​multiple realities to cinema, Daniels has succeeded with ease. The film carefully explores the personalities of its characters through their decisions. Time and time again, every opportunity becomes an alternate world leading to completely unknown places.

But at the end of the day, this is a family story. The story incorporates love into the well-known image of travel between dimensions and universes. A theme that stands out among action scenes and multi-sided jumps.

A new panorama for non-traditional cinema

A middle-aged heroine tries to protect her father, husband and daughter from an unlikely villain. All at once everywhere at the same time delves into emotions. At the same time, for the reason that everything that really matters – or could matter – is able to tie hundreds of probabilities into one scenario.

By the time Evelyn (Michelle Yeoh) discovers the nature of her nemesis, the fight against evil takes on a different form. It reaches a more intimate area and becomes a reflection of the relationship between parents and children.

The script even tinkers with the idea that every event in its characters’ lives is associated with a moment of forgiveness. A touching conclusion that gives All at once everywhere at the same time his particular point of view on what really matters. The affection, solidarity and loyalty that members of the same family express to each other.

All at once everywhere at the same time arouses hard to please the audience

But there is also a second layer to the production that may explain his triumph among the often conservative Oscar voters. There has been some debate over the past few months that praise is outdated. The conversation, which went online with the hashtag #OscarIsSoOld. In other words, its traditional audience became adults, and the new generation showed no interest in solutions. Academy of Motion Picture Arts and Sciences. What is caused by the loss of viewers during the broadcast of the award, to indifference to its results.

But All at once everywhere at the same time designed for TikTok, Twitch and Discord users. Some of his scenes have become challenges on social platforms, celebrating his humor and irony. Subversive and daring, the film has the power to make you laugh and think at the same time. Playing with satirical jokes about sex toys or talking about the future between rocks and sausage fingers, the plot pokes fun at the notion of what an award-winning Hollywood movie should be like.

Daniels’ creativity managed to leave behind the German anti-war epic Sbrand new front and mature reflections on art TAP. Topics of interest to a public that is attentive to virtual networking. The reason for his success? What All at once everywhere at the same time emphasizes the world in all its diversity. With a multicultural cast and storytelling that addresses the experience of generational differences, it opened up an opportunity for discussion using new approaches.

The Wrestling Lady and the Unexpected Return

All at once everywhere at the same time managed to overcome several taboos in Hollywood. Sixty-year-old Michelle Yeoh broke the usual age limit for action movie actresses. For its part, Jamie Lee Curtis’ acclaim pays homage to a film genre far removed from more traditional offerings. Both received awards in their respective categories and demonstrated an unprecedented opening in the voting of the Academy unions.

Just as important as the above was the prize for Best Supporting Actor for Jonathan Ken Quan. The translator, who fought for a place in the industry for more than thirty years but never achieved it, has gained recognition for his long, low-key career. After debuting in Indiana Jones and the Temple of Doom and get a role boobies, the artist disappeared from commercial cinema. His various big screen appearances over the course of more than two decades were limited to an uncredited stuntman. But her performance in the Daniels film allowed her to overcome the pitfalls of age or ethnicity to win in an amazing evening.

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Triumph All at once everywhere at the same time this may demonstrate Hollywood’s decision to expand its selection. What was seen at the last ceremony: 16 actors received their first nominations. The duo of directors, who are just making their second film, have received the top award. A clear indication that the change in the Mecca of cinema is more powerful than one might think.