Northerner, Robert Eggers, he has the curious duty of supporting the career of a director who has hitherto surprised with his talent. And the film is really striking in its epic scope. In 10th century Iceland, a man will take revenge. And Eggers created a universe with impeccable historical overtones to tell about this journey. From the concept of power as inheritance to fear. The plot is a combination of the mysteries of Scandinavian mythology with deep humanity, striking in its accuracy. Wrong, cruel, ambiguous, terrible. All movie characters they have a strong accent associated with primitive archetypes and stereotypes. But at the same time, it is a story with a body of its own that supports and maintains the idea of the extraordinary for Eggers.
yes in witchthe director told a confusing story that reveals its secrets in the last segment, in Northerner the mysterious is part of everything. As well as in Lighthousethe director plays with disorientation to build a story with a brushstroke of legend and tribal myth. The plot is a journey along the tortuous and sad path of the hero.which impresses with its hardness. The re-creation of the Eggers era adds beauty, violence and brilliance to a narrative that is as powerful as it is unnerving. Again and again, the film shows that for Eggers, time, passing, the darkness of secrets and human pain are one and the same. Also a way of building a collaborative story that goes from one side to the other, to show all the possibilities of the film’s view of the amazing.
Eggers, who distinguished himself by his eloquence in his short film career, arrives with Northerner into a new dimension. With ambition bordering on experimental audacity, what appears to be the final film in a strange trilogy of occult horror and wonder is as terrifying as it is monstrous. This is despite the fact that Eggers himself recently stated that he will have to work on the editing and create a “more understandable” and less fabulous version of the final cut.
All the fears that hide in the dark Northerner
AT Northerner, Eggers, with the same accuracy and extraordinary pulse, shows landscapes of bewildering beauty, severed heads and hair dismembered by brute force. The footage has no middle terms and is not generous with explanations. And although this is the most “earthly” work of Eggers is also the most monumental. The director managed to create a sense of the continuity of the present, characteristic of Scandinavian imagery.
The feeling that everything happens at once and under the inevitable influence of fate. His characters walk the path predetermined for each of them, with a terrifying conviction in the threads that bind them to power and fear. Little by little, the narrative becomes morbid, so crude that it pulls back the inevitable veil of grim surprise.
For the manager Violence is an emblem. And each of the creatures that tolerate or infringe upon it is a symbol of something greater. In this case, Eggers did not confine himself to telling the story of Amlet, the forerunner of Shakespeare’s Hamlet, but created a world of extremes. An unsettling primal world, sparse, supporting the kind of brutality rarely seen in movies. Or at least in this unclassifiable mixture of beauty and subtle brutality.
As well as in Lighthousethe dark charms of the supernatural are displayed in delicately heartbreaking images. Northerner reaches the size of an increasingly twisted disturbing. This, while the production boasts minute historical detail and meticulous lighting, is at an effective storytelling point. The film is a meticulous re-imagining of the Norse myth of the lost son and the search for purpose in a bold, grand plot.
Thrice Horror of the Dark
Northerner It is based on one of the most famous, repeated and distorted legends of the Scandinavian world. It tells about the tragedy of the prince, who witnessed the death of his father, the execution of those who supported him, and the abduction of his mother. Amleth (Alexander Skarsgård) manages to escape and become an adult, far removed from everything he knew as a child. A cruel person, ruthless and incapable of feeling anything but hatred.
But fate haunts him. The entire film covers one moment in time. It is associated with the idea of finding the main goal and the inevitable union with the past and the future. Eggers chose a timeless space that stores history from the deep layer. Amleth’s journey takes place on screen, as does the journey of the gods and goddesses, who manifest themselves in scenes that tear reality apart. Scenario, written by the director himself along with Icelandic writer Sion, it tells an increasingly violent story in two voices.
By the time the journey comes to an end, Amlet has discovered a motive that has taken him across sea, land, and steppes. And in the solitude of this last look at his life, he finds more than just a startling revelation. At the same time, he manages to connect his hatred with something simpler than malice. Eggers, who blinded the audience with witches, shows a warrior dreaming of heavenly halls at the moment of redemption of horrors. The story was told, the witches called on the wind and in the end, Northerner it is a metaphorical apotheosis of power. The message is so powerful that it sounds like a Valkyrie flying on the screen.
Source: Hiper Textual
