Writer R.L. Stine, author of Nightmares, He is considered the Stephen King of teen horror.. Not entirely an inappropriate comparison, demonstrating its influence on a subject as rare as horror aimed at a younger audience. The author’s works have become bestsellers in many countries around the world..
But especially his collection Nightmares, is one of the most popular. First published in 1992, it has become a saga of eerie legends and myths. At the same time, the adventures take place in the universe of teenage characters. who had to face many terrifying creatures and legends.
Following its theatrical release, Disney+’s latest adaptation of the work is being released as a ten-episode series. Each pays homage to more than just the books they come from. And the ability of their stories to build a complex universe through interconnected stories. What does everyone do The chapter is an adventure that is actually destined to complement each other in a convoluted mythology.
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Terror for adults and children
In this case, as in some of the writer’s most famous stories, the central plot involves a haunted house. But this is not the usual cliché of a fateful story unique to the house. In the series It’s also a wave of frightening events that will force the characters to join forces against the occult.
A performance that owes its aesthetics and script to the trilogy. Street of Terror from Netflix, built like a puzzle. Through five main characters he will try to tell what seems a dark secret spanning generations.
But everything is based on a specific link: every supernatural event they experience will be associated with darkness. Biddle Mansion differently. However, individually they will have experiences that will lead them to understand that what is happening around them is not the result of chance. In fact, they are united by a common fate that is about to befall them.
For young people, but no less interesting
Nightmares faces the prejudice that any production aimed at a youth audience must necessarily sacrifice its complexity. She achieves this by being direct and showing her strengths from the first chapter. With dark visuals that play with the setting, linking events that happened decades later.has a good sense of tension.
So much so that its predictable first sequence is much more mature than one might assume. The plot, which indicates that the event took place in 1993, plays with camera angles and shadows, trying to avoid the use of digital effects. As such, the setting plays an important role in how the series presents its initial mystery. Closing doors, perpendicular approaches, static close-ups. Gradually, the discovery of a forgotten photo album in the basement will become a larger-scale event. One that extends like lines of communication between various sinister events.
The play, although a minor product compared to recent film adaptations of the writer’s works, plays more skillfully with the elements. The dark staircase becomes uncharted territory. Blurry photographs on yellowed pages, a path to unknown and dangerous terrain. Just like the books they come from, Nightmares Choose simplicity to create a more believable atmosphere. This means that he immediately manages to realize his first success. Characters with weight and nuance in the midst of increasingly disturbing situations.
Very young and talented cast
But even more so, the production almost immediately establishes that they are teenagers. That, in addition to the possible terrifying events in their environment, they will have to face the difficulties of age. From teasing in the hallways to acne. The cast of young talent makes the story exciting. terror, as well as a direct mockery of a difficult era.
And this, despite familiar faces – Justin Long in the role of the controversial Professor Bratt It’s a pleasant surprise – and the plot is essentially adult. There is a good sense in the script to avoid infantilizing or stereotyping the main characters. Instead, it gives them the opportunity to have Cunning is enough when they encounter events that surpass them in experience and skill.
From cursed masks to time travel. The series includes several of the writer’s favorite themes. However, rather than being an anthological continuity, it chooses to create a common framework in which all its major figures must coincide again and again. From James (Miles McKenna) and his eerie photographic discovery. Isabel (Ana Yi Puig) and her desire to please even the mystery that surrounds her Nora (Rachel Harris). The performance is structured in such a way that its stories, like threads, develop in several different directions.
Small but high quality
Although he is reserved, unambitious and at times clumsy in maintaining the tone of all his chapters, NightmareIt doesn’t disappoint. Surprisingly, it is much more solid than other current horror films aimed at mature audiences and with more resources. At times it is noticeable that this is a minor production, destined not to stand out but to the charisma of its characters. This is achieved by emphasizing their lives and situations before the strange events that surround them.
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Something more than obvious in the first three episodes and much more convincing from the fifth, when the adventure becomes the central point. Which, moreover, is connected with a house that seems to be fraught with horrors. Nightmares He manages to combine everything into an all-out scenario in which there is no shortage of humor, and the feeling of fear is more developed as an event that can unite strangers in a common cause. The Disney+ adaptation has the same ability as the books to make you laugh and scare you. This is a gift for both fans of the genre and those who are not. This is the greatest dignity.
Source: Hiper Textual
