IN Death and other mysteries An impossible murder mystery is analyzed as a creepy game. Moreover, its two characters have to reconcile their personalities in order to work as a team in a seemingly inexplicable scenario. On board a luxury ship, a murder occurs in a room with a locked door. Imogen Scott (Violett Beane) is an unwitting witness to the crime who becomes his main suspect. Among what appears to be a series of very specific circumstantial clues, she must be implicated. Only he claims – and apparently can prove it – that this is not so.

On the other side, Rufus Coatsworth (Mandy Patinkin) is the best detective in the world – or at least he was – and a despicable guy at that. However, the opportunity to solve a murder that challenges the intelligence of many involved will motivate him to try. This predictable and seemingly banal combination becomes something much more interesting in the hands of Heidi Cole McAdams And Mike Weiss. Particularly when they manage to deepen the mystery, there is more to it than just where the killer bullet started from. For Cotsworth This is also a form of justification after failing to find out who killed the mother Imogen years ago. In this way, the series moves away from the usual procedural formula and focuses on everything that happens in the less obvious aspects of the story.

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The production is inventive enough to be a breath of fresh air for the detective subgenre. But beyond that, we leave you with three reasons to enjoy Death and Other Mysteries on Star+. A masterful story that takes the best detective stories and introduces them to a whole new audience. Without a doubt, this is one of his best qualities.

Change the base story

For decades, the detective genre followed a simple formula. One that highlights a talented or often difficult individual who has an amazing ability to solve crimes. Moreover, almost without any intellectual effort, but yes, leaving him isolated and a little out of place in the world of all those who are not so brilliant. The above led to a series like House, monk, Mentalist and version Sherlockplayed by Benedict Cumberbatch.

But perhaps because of such persistence in the formula, it eventually collapsed. As a result, there was a need to rethink the usual stereotypes of the subgenre. Thus, a whole new generation of investigators appeared on the small screen, curious people and mysterious individuals full of talent for solving crimes. Including dark humor Only murders in the buildingmastery of Benoit Blanc (Daniel Craig) in the saga Daggers in the back and smart premise Poker Face.

Death and Other Mysteries takes the best of the old and new series to create something of a middle ground. There you have it: it’s as dense and weird as your average whodunnit, but it also delves into new elements. From the mystery – how could a murder be committed in a tiny space without leaving traces? – even the motives of possible culprits. The series mixes all sorts of elements to make the idea feel fresh. although, of course, it has been told hundreds of times.

Complex characters with great humanity

TV series and films in the investigative genre, dedicated to a genius character, often dehumanize him. The same thing: a genius capable of deciphering all kinds of keys and detecting cracks in the most laconic quarters is just an excuse to advance the plot. Is it based on the formula of Sherlock Holmes (excellent logic) or on the formula of Hercule Poirot with his cold method. The truth is that great individuals end up being wild cards. show the ingenuity of screenwriters, find new ways to narrate the crime.

In Death and Other Mysteries the opposite happens. Although Rufus Coatsworth is a man of extraordinary gifts, he is also scarred by his past. Moreover, he experiences a moment full of nuances and shadows that make his perception of crime and guilt very different from what one might expect. This takes it to the next level in similar characters. This is doubt in one’s own point of view and even in one’s conclusions.

The same goes for Imogen. Orphaned by her mother and hurt by the feeling that her life could be very different without knowing the identity of her killer, she fights to maintain her sanity. And this is while she is faced with a mystery that surpasses her and forces her, almost unintentionally, deeper into grief and loss. In the end, both Rufus and she They will have to put aside their mutual mistrust to understand the slippery terrain they are navigating.

Agatha Christie’s formula, perfected for the modern era

Call AgathaChristivers Kenneth Branagh has already starred in three films, and there are plans to make several more. But in addition to bringing the great setting of the author’s books to a new generation, it did something more interesting. Prove that viewers are still captivated by crimes involving multiple criminals in exotic locations.

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Death and Other Mysteries does the same thing, but refines the formula for an audience accustomed to social media and the online world. In this way, the production, set on a luxury Mediterranean liner, manages to capture the procedural and emotional appeal of Christie’s work. Especially when the opportunity to discover the culprit of the crime requires a deeper analysis. in strange guests, locked in the open sea.

Source: Hiper Textual

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