IN Tornadonature is an enemy that must be defeated. Or at least, one that you must run from in order to survive. Especially as Kate (Daisy Edgar-Jones), who is trying to come to terms with a painful past, must face severe weather events, even at the risk of her life. Which will force you to travel across North America in search of a more dangerous and colossal atmospheric event. Something that will finally make her realize that her courage has much to do with finding a purpose, as well as a sense of adventure that became his obsession.
But beyond the subtle layers of depth the film provides its protagonist, Tornado It is a visual spectacle that is astounding in its power. This new version of the mythical Twister (1996) is not reboot no remakebut it takes away the original film’s sense of impending catastrophe. Moreover, it explores the almost mythological idea that great climate upheavals are, without a doubt, the real monsters that humans must deal with today. This gives the film a strange vision of the wonder of nature and its limits.
If you’re drawn to such arguments, we leave you with five that not only explore them brilliantly, but also turn hurricanes, earthquakes, and even tsunamis into terrifying adversaries. From classics that boast a legion of fans to a terror version in which the most terrifying circumstance is a volcano, the collection features the most interesting proposals, but above all, a unique take on seemingly natural situations. The setting that unites each of the stories.
Twister
This disaster classic takes an unconventional approach to the genre, with director Jan de Bont taking its inspiration from tornadoes. as a starting point for exploring the characters’ thirst for adventure.
But more than that, he turned that premise into a way to understand the fear and wonder that great natural phenomena can evoke. This gives some of the episodes a mythic status, despite the simple plot. Jo (Helen Hunt) has a traumatic past that she decides to atone for through science. That is: try to find an effective method for predicting the passage of tornadoes and avoid unnecessary deaths.
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But to do so, you’ll have to travel through the most dangerous places in the harshest weather seasons. Which will lead to a rekindling of her relationship with her ex-husband Bill (Bill Paxton) and, ultimately, a strange redemption. Ideal for those who love practical effects in genre films.
In the eye of the storm
Of course, this isn’t the only time tornadoes have made it to the big screen as an all-out threat that can barely be combated. In 2014, director Steven Quayle took the premise of a major weather event and quadrupled it. So this time, it’s not just a single tornado, and of several that cross the city of Silverton, Oklahoma, destroying everything in their path.
The plot might seem simple if it weren’t for the fact that it also pays special attention to its characters and their efforts to survive. Gary Fuller (Richard Armitage) He is not a hero and does not pretend to be one.
Solo is the vice principal of a local high school who stumbles into the worst tragedy imaginable. It will push him to his limits, and also make him realize that sometimes great heroic figures are ordinary people who are convinced of doing good. Which leads to this film, halfway between found footage and movie disasters, be unusually profound in your approach.
Saint Andrew
In 2015, director Brad Peyton took on the collective fear of what might happen if an earthquake hit California’s San Andreas Fault and caused a monstrous catastrophe. The result was Saint Andrew, a disaster film that takes the genre formula to a new level.
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Not just one, but several catastrophic earthquakes that devastate San Francisco, the bay surrounding the city, and many other enclaves around the Pacific Plate. In addition, natural disasters are becoming more chaotic and violent scenarios.
So Ray (Dwayne “The Rock” Johnson), a rescuer with extraordinary skills, will have a lot of work to do. On the one hand, he will have to save his family and try not to die in the midst of landslides, floods and disasters caused by a monstrous earthquake. At the same time, provide assistance to survivors of dozens of deadly incidents around them.
Greenland: The Last Refuge
No list of disaster movies would be complete without one in which a comet threatened the life of the entire planet. Only director Rick Roman Waugh took the usual image and brought it to a realistic setting. which is scary because it’s more than likely to happen in a similar situation.
John (Gerard Butler), a civil engineer going through a difficult divorce, one day receives an encrypted message from the U.S. government. He must travel with his family to a military airport to be taken to a secret hideout. The reason? The arrival of a comet that will collide with Earth and This will threaten the survival of humanity.
If such a concept is frightening, it will only become worse when John must try to save his life in an increasingly chaotic situation. Especially when it becomes apparent that the precautions of the various governments of the world are incapable of comprehending the true gravity of a catastrophe that grows more terrifying by the hour. With a painful ending that ponders the possibility of hope, This is one of the best disaster movies of recent times.
A town called Dante’s Peak
In 1997 and probably following the success TwisterDirector Roger Donaldson brings the disaster to an unusual setting: a dormant volcano near Dante Peak, a small town in northeastern Colorado. Volcanologist Harry Dalton (Pierce Brosnan) will discover too late that the seismic activity he has detected in the region is not only a precursor to an eruption. Moreover, it is a catastrophic event that could threaten not only the city but also many others around it.
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Confronted with his traumatic past, Harry teams up with Rachel (Linda Hamilton), the town’s mayor, to try to prevent as many deaths as possible by announcing it early. However, he must contend with the public’s disbelief. What’s more, the scale of a catastrophic volcanic eruption, the force of which Harry could not have predicted, is at stake. With practical special effects and good acting, This is the perfect film for those interested in the genre in its most restrained version.
Source: Hiper Textual
