The Alien Saga Movies Ranked From Worst To Best

saga Stranger It’s one of the oldest genres of science fiction. It’s also one of the most irregular. Since director Ridley Scott’s first film in 1979, the story and context surrounding the xenoform has only expanded. But while some films pay homage to the original, Most of them are narrative and visual experiments that fall short of their quality.

Alien: Romulus Fede Alvarez, the latest addition that promises to save the spirit of the entire franchise, has a double responsibility. On the one hand, a new exploration of a universe that, despite its richness and interest, is often forgotten or, at worst, underestimated on the big screen. On the other hand, it adds to the franchise a story capable of summing up the best qualities of the creepy premise. It is an inexplicable, cruel creature that is itself the perfect killing machine, confronting a group of people. with little chance of survival.

But while the Uruguayan director shows his vision of the franchise, it’s time to revisit the rest of the films. To demonstrate its importance, we leave you with a list of the entire saga. StrangerFrom worst to best. From a cult film that made cinematic history to an exploration of a complex and dark setting. This is a journey through a series of films that explore some of the obsessions of science fiction. At the same time, they became an important milestone both in technical terms and in character design. Your best inheritance.

Alien: Covenant

Directed by Ridley Scott, written by John Logan (from Gladiator), it was expected that the film would be dedicated to two scenarios at once. On the one hand, at the origins of life, as its predecessor announced, Prometheus— and on the other, in the nature of the xenomorph. But the plot, in fact, is more interested in the character of the android David (Michael Fassbender) and hiswe have sinister plans to explore an alien creature.

Which wouldn’t be a bad thing if the film didn’t have problems throughout its footage with its softer parts. From the saga’s usual decision to have an unsuspecting crew explore the planet on their own, to the shallow characters. The truth is, Alien: Covenant It’s as absurd as it is tiresome.

The worst? When he finally finds the most sinister part of it – the confrontation between the androids played by Fassbender – he decides to set it aside to show the xenomorph. Which for the first time in this saga feels out of place. It’s nonsense, no matter how you look at it.

Alien: Resurrection

Jean-Pierre Jeunet took the franchise and went to the dark side. Or at least he tried. The goal of the 1997 film was to turn the new addition to the saga into a survival story that also paid homage to the most disturbing topics. From the horrors of science to bioethics and the morality of artificial intelligence. And all this in the midst of a brutal scene.

But as interesting as the plot may seem, it’s one of the most convoluted in the saga. For this occasion, Sigourney Weaver returns to play Ripley — even though the character died in the previous film — with just one caveat. Now a clone of the legendary lieutenant, which, moreover, shares common genetics with the xenomorph. Two hundred years have passed since his death, but this time it did not stop the unprincipled government brought him back to life using a brutal medical procedure.

The mysterious premise only gets worse when the plot involves the characters in — yes, you guessed it — a mission gone wrong for an unsuspecting crew. The crew of the Betty, led by Ron Perlman, finds themselves at the mercy of twelve xenomorphs created on a special station. So they must, unsurprisingly, fight against them and get out alive. Eventually, a series of inconsistencies culminates in a ridiculous and banal conclusion. which outraged even Joss Whedon, the screenwriter.

Alien 3

Under the direction of David Fincher, the third installment of the saga had to contend with the weight of the two great previous films. The result is a good film that took time and effort to find its place. Especially because Fincher, rather than making the story bigger or more complex, focuses on denser, more claustrophobic environments.

This time, Ripley and the Alien (of course) crash land on a prison planet. The lieutenant is already incubating the xenoform in his chest, so the entire movie It’s a race against time and death.

Also against the destruction that the Alien unleashes, leaving behind all sorts of chase scenes and episodes body horrorfor lovers of the genre. A dense, disturbing and rare work among very similar premises of the saga. This is the perfect film to understand Alien from a different perspective.

Prometheus

Director Ridley Scott, who returns to the franchise with this film, delivers a narrative and visual rarity that works because of its boldness. The prequel is set in the late 21st century, so it takes place chronologically, before the first film in the saga. The story follows an unsuspecting crew, She is sent on a special reconnaissance mission, in search of what seems to be the meaning of human life.

As existential as it may seem, the conflict is actually a strange mix of ambition and horror. On one side, Dr. Elizabeth Shawn (Noomi Rapace) and her team are on a quest to find signs of a proto-civilization, the source of all existence. On the other hand, Meredith Vickers (Charlize Theron) is trying to protect the interests Weyland Corp .

Between both points of view, they will encounter the point of view of David (Michael Fassbender), an android who is aware of himself and has some questions about identity and life. To which he will try to find an answer through what surrounds the world in which the primitive civilization lived. Cruel, dark and with several historical scenes. This rare example of thoughtful science fiction is one of the best additions to the saga.

Aliens: Return

In 1986, James Cameron left his mark on the saga. And his contribution went beyond creating a film that is considered one of the best in the franchise. Also, is almost unanimously considered one of the most perfect sequels ever made.

The film, which picks up Ripley’s story 57 years after the original, is brilliant not only for its military and technological take on the saga’s central concept, but also for taking the corporate manipulation subtext to a new level. This makes the film more than just a series of fight and escape scenes.

In fact, Aliens: Return It boasts of being one of the most iconic films in modern science fiction. Not only does it leave behind a series of famous scenes, but it also raises the bar for any other franchise based on space exploration. Visually impeccable and with a menacing script, This is one of the best feature films in the franchise, and is far from similar to any other.

Alien – The Eighth Passenger

Of course, the first film in this selection could not be other than the 1979 classic, which raised the level of science fiction cinema in terms of plot and production. With its industrial, pessimistic and gloomy point of view, the work of Ridley Scott This is not just a work of art that amazed and horrified upon its premiere.

At the same time, it is a meticulous collection of nightmarish images, turning space exploration into a sinister dystopia that becomes increasingly harrowing. However, his greatest contribution to the world of cinema is the xenoform itself. Created for the occasion by Swiss artist H.R. Giger, it combines ominous beauty with carefully considered aesthetics. This gives it a unique, unrepeatable appearance that remains original to this day. Even after Forty-five years have passed since his appearance on the big screen.

“Eerie”, filmed with a technical precision that still amazes the imagination. Alien – The Eighth PassengerIt’s a mythical version of fear of the unknown. But it’s also a famous cinematic work that turns science fiction into a setting. deep and philosophical horrors. His best contribution to the seventh art.