Joker: Folie A Deuxit’s more than a sequel to director Todd Phillips’ 2019 hit. It’s also another exploration of the main character – again, played by Joaquin Phoenix – that takes the film to entirely new places. This includes not only a way of showing what is happening in the mind Arthur Fleck/Joker. Both, as his relationship with Lee (Lady Gaga) changed him forever.
This, bringing the story to an end in which everything that was said up to this point in the previous film, seems to advance to a peculiar terrain. From the social critique and subversive commentary that has been so lauded, Todd Phillips’ film takes a step back and becomes more introspective. What makes it the last stretch and especially, its final episodes are as shocking as they are unexpected.
Also, which seems to confirm the words of the director, who stated that there will be neither a third film nor another project about the character. At least from his side. A decision that forces it to bring the story to an unambiguous conclusion and become one of the most surprising moments of an already baffling film. The inevitable question arises: does he have Joker: Folie A Deux post-credits scene? Is Todd Phillips trying to leave the door open to perhaps rethink the premises for the future?
Completion of the scandalous film
No matter how curious it may seem, Joker: Folie A Deux There are no post-credit scenes. So, after the shocking final scene, the plot makes it clear that this is the final conclusion. The decision can be analyzed from two perspectives. On the one hand, it’s clear that Todd Phillips has decided to close the door on any attempts to continue anything related to Arthur Fleck. At least, in the way the director explored the character and the deep messages he conveyed to the context.
On the other hand, in fact, Joker: Folie A Deux to be something of an overview of the vast and ever-changing mythology surrounding Batman. As already demonstrated Penguinthe world surrounding Gotham’s caped crusader is rich and distinctive enough to be absorbed into. Even without the need for the hero himself to appear in the plot. So Todd Phillips’s film, which examines, reflects and reflects on the modern evil of violence, The fictional metropolis leaves the door open for similar experiences.

Only this time it won’t be Todd Phillips’ version. Something that could be considered an interesting twist, considering that the end of the film announces all the possibilities for such experiments. However, the absence of post-credits scenes suggests that everything that surrounded the painful life Arthur Fleck on the big screen, has a definitive ending.
A point that coincides with DC’s internal restructuring. As you may remember, James Gunn and Peter Safran are taking the shared cinematic universe one step further with a long list of DC characters. Which leads to projects like joker, Batman, Penguin and other stories and so on, are considered stories about Other worlds. That is, they do not affect the main canon.
Source: Hiper Textual
