Arguably, parts of the Marvel Cinematic Universe are just fun at best, spectacular adventures to get carried away with emotions and have a great time. There’s nothing wrong with that, and the fact that the artistic goals of executive producer Kevin Feige and company don’t get in the way of moving away from masterpieces, in features such as Doctor Strange in the multiverse of madnessThere are many details very grateful.
Both film analysts and audiences devote themselves to unraveling each of them. From who that unexpected character is that appears in the first post-credits scene of Sam Raimi’s movie, through the ideal of his Scarlet Witch story arc or the inspiration for the most violent episode, to how he breaks a certain revelation. early history future villain. Now, to confirm something else.
One that we owe to two of Marvel’s greats: New York screenwriter Stan Lee, who has made so many cameos in film adaptations, and cartoonist Jack Kirby. Namely, for number five of the comic Fantastic Fourpublished in July 1962, although its provenance was not fully disclosed until the same month of 1964, in the second volume Fantastic Four Yearbook. And, by these links, you will already assume that this is the same thing. Doctor Doom.
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Doctor Doom’s invention in Doctor Strange in the Multiverse of Madness.
Reed Richards’ own presence in Doctor Strange in the multiverse of madness, embodied by John Krasinski and a member of the Illuminati on Earth-838, should lead us to assume that Victor von Doom must be around, as he is his nemesis; though he also clashed with other superheroes. But Sam Raimi and Michael Waldron, author of the libretto and WandaVision (2021), gave us another interesting element which points to the king of the fictional country of Latveria, surrounded by the Carpathian Mountains.
We see Stretch Husband Sue Storm using a device with a bluish surface to teleport: the time platform Doctor Doom is responsible for inventing. In the comics, he used it against the Fantastic Four or for time travel and mystical wisdom. But coincidentally, Reed Richards snatches it from her at some point and examines it atop the Baxter Building in Manhattan. And that’s what could happen here.
But, if someone has doubts that such an artifact can really be identified, here are the words Richie Palmer co-producer on the art team’s work on John Krasinski’s character: “It’s great that Ryan Meinerding’s costume is so much fun. Detail of the teleportation device he uses to enter the stage. this is what we took from the comics: This is Doctor Doom’s temporary platform.”
