First scene from dragon house, necessarily clarifies the place of the narrative from which it comes. shadow Game of Thrones is elongated, and the starting point is to refine the timeline. A new HBO Max series that explores the world of George R.R. Martina knows about his past and openly sings of him.
He immediately explains that what follows will be told the story that, for good or for worse, gave rise to the tragedy of Daenerys Targeryen. The Queen, who was eventually marked by fate and family legacy, is now a benchmark for the future. So it turns out as an interesting fact: 172 years before the birth of the last member of the house, a cataclysm occurred.
And this despite the fact that in the strict sense dragon house This is a prequel to everything that was in its predecessor. But the name Daenerys carries considerable weight. And much more, the little we know about his family from his memoirs and context. On this occasion, everything that the Queen, who raised the dragons, remembered as a glorious past, comes to life. Everything takes place on the stage of the power of the Targaryens, rulers with fire in their veins. A brutal, twisted and gripping genealogy that reaches the small screen in all its glory.
House of the Dragon is a new series in the Game of Thrones universe.
Back to the burning lands
dragon house clarifies the above. The Targaryen succession is turbulent, complex and, of course, devastated by a fatal legacy. Blood, fire and madness combine in a volatile combination, always on the brink of an explosion. And Viserys I (Paddy Considine) ascends the throne, knowing that he will have to deal with more than just seven hostile kingdoms. And also with the intricate conflicts of their own relatives.
He is the chosen king, which is a rarity for the central stem of Martin’s work. This is a fact that highlights that the series will handle a different discourse. Viserys, recognized as the most suitable person to rule, must make decisions that bring order to the kingdom, while proving his strength. His status as a born leader in an unruly and violent time.
Only Princess Rhaenys (Eve Best), Viserys’ cousin, had a much more direct right. And under other circumstances, he would have been on the Iron Throne. But she is a woman, and in Westeros the very idea of her ruling creates instability. So, Viserys comes to power with a shadow of some illegitimacy behind him. Of course, neither he nor his council call him that.
This is despite the fact that he carries with him the notion that he is exercising a stolen, fatal right and that one way or another, he will not have a good ending. The series opens with the unsettling belief that the kingdom—the precarious world it enjoys—is hanging by a thread. So delicate and fragile that it must be guarded from a careful and Machiavellian point of view.
Line of fire in Westeros history
The first episode shows ambition Dragon House. The visuals are much richer, more detailed and brighter than ever in Game of Thrones. And perhaps the caveat makes the vast wealth of the Targaryens underlined by the medieval splendor of gold and stone.
But the biggest attraction is the dragons.. If until now Martin’s world on television had shown them imperceptibly, now they have turned into pure magic, turned into frightening creatures. The Targaryens and their mythical legendary creatures are one. And the show demonstrates this in a series of brilliant scenes.
King’s Landing – the only scenario that is currently being analyzed – is a city where myths live with people. There are statues of dragons, flame decorations. And the Targaryen banner looks great among the huge white marble walls. It is well known that the production has chosen luxury, which makes it clear that this is a golden period. This is a far cry from Daenerys’ insecurities. A period when the likelihood of the Targaryens losing a dragon in combat was unthinkable. The point is reinforced as the series analyzes how the influence of the royal family is total, it is everywhere. It is, no doubt, more corrosive, heavy and cruel than that of the houses of Baratheon or Lannister in the future.
HBO has looked at every opportunity to bring back the Game of Thrones universe. And without a doubt, the study of House Targaryen is a decision that hints at the expansion of the mythology of history. Where and in what direction? In the first episode Dragon House it is clear that there are hundreds of narratives in context. That which is interconnected with each other and supports what will now be on the screen. The Targaryens – their history, their brilliant sense of myth – seem like the first step towards something more complex, transgressive and violent than one might expect.
So, fire will reign in Westeros
As if all the pressure the King carries on his back wasn’t enough, the first episode of the season explores his toughest dilemma yet. Viserys suffers a significant setback at the sight of a much wilder and more violent Westeros. His heir is Rainira (Milli Alcock), so his right to the throne can also be challenged.
The first chapter shows her an extraordinary, energetic young woman and, no doubt, the golden symbol of her strange family home. The character repeatedly recalls Daenerys – and leaves doubts whether this event was accidental. But he does something else: he shows the fullness of the Targaryens. His layer of influence and semi-divine quality.
However, Reynira knows that she will have to face a country that will never accept her as queen. Despite his good intentions and his decision to exercise his right. The series makes good sense to detail in the first episode that it’s not greed that drives a princess. Rather, it is an intuitive rationale for your ability to lead. And it is this perspective that establishes a sense of honor and transcendence that enhances character.
In the shadow of the iron throne
For Viserys, the advice of power becomes increasingly difficult and agonizing when he is widowed – in one of the chapter’s most difficult scenes – and must make a decision. Support the power of a very young Rainier and fight the Kingdom or remarry to try and have an heir. Finally, there is the most dangerous option: appointing his abusive brother Damon (Matt Smith) as his successor. But both the monarch and Ser Otto Hightower (Rhys Ifans) know that a despotic brother on the throne will be an imaginable problem. Or, at worst, a distant tragedy that they will try to avoid.
Meanwhile, Alicent Hightower (Emily Carey), the daughter of the Hand of the King, is comforting. Or at least one that understands the young princess from a certain idea of equality. She is also the daughter of an ambitious widowed father. But Alicent has a seat booked soon. And in fact, the argument immediately makes it clear that this will be the key point by all means for the rest of the season. In the meantime, this is faithful and attentive listening to the princess. In addition, its closest satellite.
First chapter Dragon House clarifies the need to expand and create our layers in a universe rich in detail. Miguel Sapochnik (ur.showrunner and screenwriter) are aware of this, and it’s obvious that this elegant vision of twisted power is just an appetizer. One that will raise the stakes as the story unfolds and lead to the very center of its flaming core. The familiar landscapes of Westeros have returned, but the horizon has become much more ruthless and cruel. what never was. What can be, in the course of the story, good or bad news.
