Movie Blonde, from Netflix, has become the center of a fierce controversy. In particular, for the way he analyzes the life of the late actress Marilyn Monroe. The plot, based on the play of the same name by Joyce Carol Oates, is a fictional survey of the performer’s life. But, in addition, he shows with notes of horror the destructive power of fame.

Whether because the production is mistaken for a cinematic biography, or because of its outright harshness, result Blonde it was debatable. Critics are divided between those who consider it a “work of art” and those who classify it as “the most sexist and manipulative film ever made”. However, the central point of the dispute is that much of what is told in the story does not seem credible. In any case, this is not part of a deeper and more detailed investigation into the events surrounding Monroe.

controversy about Blonde it became so complex as to question the film’s origins by using a famous figure to explore broader ideas. Manohla Dargis, critic The newspaper “New York Times, insisted that the feature film was “the very last resort, almost bordering on necrophilia, that (the actress) used.” An opinion that seems to be shared by a significant portion of the public.

But this blondeIs it as cruel as he insists? Is this a disrespectful rethinking of the actress’ image? Other than that, is this another kind of abuse that encroaches on the legacy of the actress? Perhaps, in order to better understand what happened, it is necessary to separately analyze its most controversial moments.

Book from paper to screen Blonde Joyce Carol Oates

At the time of the novel’s release in 2000. Blonde, Joyce Carol Oates, has already sparked controversy. Especially since the writer, who admitted to documenting the actress “abundantly and in detail,” he took blatant liberties with his life. Cause? That for Oates, Monroe “was an emblem” of the 20th century, not a woman. This is how he captures it in his book, and, in fact, the whole curious narrative is based on a symbolic version of public greed over desire.

good part of the book Blonde It consists of fictional recreations of rumors, unverified comments, and a sinister version of the celebrity world. All analyzed through Monroe glass.

In fiction, the actress is represented as a victim unable to escape the monstrous device that turned her into a product. At the same time, as the most graphic example of the moral destruction to which society subjects women.

The boundary between reality and fiction

In essence, the novel is an allegory. Oates commented in an interview New Yorker, which involved the transformation of an ordinary high school girl into a world celebrity. “What can this do to anyone’s stability? How do you feel about being recognized as a dark and cruel weapon? These are extremely complex questions that the book raises as it examines the horrific events from the perspective of a helpless and broken figure.

Is this a biography then? In 2015, Oates spoke to journalist Nicholas Charles about the magazine. Time, his intentions with history. The writer spent years researching and documenting until she found facts she could rewrite and reinvent. By then, his novel had evolved from an experiment into a much more complex work. Also thanks to the figure of Marilyn Monroe, who went from an actress to a symbol of the intellectual and moral transformations of American society.

According to Oates, “Blonde this is a real mythical explosion in which Marilyn is everything and nothing. The great white whale, marked not by the blind force of nature, but by the force of art.”

Is there any truth in the movie Blonde?

Dominic’s feature film almost completely recreates the spirit of the book. By meticulously recreating sets, photographs and footage, he creates an uncomfortable and violent atmosphere. But especially portrays Marilyn Monroe (Ana de Armas) as a creature stricken and destroyed by the weight of the film industry.. A version very close to Oates’ reflection on violence, which, moreover, carefully recreates the Hollywood of the time when the actress.

Nonetheless, several of the most controversial facts are exaggerated or outright false. Just as it happens in the book, the film’s interest is not in truthfulness. In fact, this is the creation of a raw story about the horrors of violence in the world of entertainment. To do this, he turns Oates’ vision into a nightmarish perception of Marilyn Monroe and the circumstances surrounding her. At the same time, he turns the actress’ injuries into scenarios that analyze all sorts of painful situations involving abuse, abuse, and violence.

Of course, this is a significant plot risk. At least three of the great events that the film tells are based on the interpretation of Oates, and later Dominic. what does the line between fiction and reality is as blurred as it is problematic. One of the biggest discussions the film had on its opening weekend and especially when analyzing its impact.

Blonde, Ana de Armas as Marilyn Monroe

Blonde and pain is like a stage

From showing Monroe as a victim of her relatives to debating the sexual abuse she endured. Blonde traverses solid ground that oscillates between speculation, fiction and verifiable data. A few of the more controversial eventually turned the discussion around the film into a confrontation of points of view.

Was the mother going to kill Marilyn? There are no records of such an event. However, Arthur Miller told BBC in 1968, his ex-wife spoke of domestic violence she had been subjected to since childhood. “Mother tried to kill her three times,” the writer explained. “Throughout much of her life, Marilyn often remarked that she still vividly remembered those horrific encounters.”

Another awkward moment Blonde This is an alleged love trio that the actress had with the children of Charlie Chaplin and Edward G. Robinson. A fact that tries to portray the manipulation and abuse the actress went through, but it never happened. There is also no evidence of forced abortions, although scenes are used to immerse themselves in Hollywood history.

Blonde, Ana de Armas as Marilyn Monroe

Producers and executives often forced their actresses to undergo such procedures. In particular, in the Hollywood of the Monroe era, women’s reproductive abilities were under severe pressure. From the loss of benefits due to the birth of a child – as in the case of Ava Gardner – to abortions, as happened with Judy Garland. The film industry has been especially cruel to its most famous actresses.. Was this a specific case with Monroe? There is no evidence for this, but both Oates and Dominic use his figure to delve into the topic.

Beyond fiction, stronger Marilyn Monroe

In the end, Blonde it’s a reimagining of Hollywood violence through an American symbol of success. Is your vision correct? From a fantasy perspective, the film responds to the challenge of discussing and confronting awkward moments.

Forget the brightest part of the actress? This is a dilemma that goes beyond cinematic storytelling. One of the most difficult elements of a feature film that, for better or worse, directly confronts the dark elements in film history.


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Source: Hiper Textual
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